Reconfiguring the Museum

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A01=Ana-Maria Herman
actor-network theory
AI
ANT
apps
artificial intelligence
augmented reality
Author_Ana-Maria Herman
big data
Category=GLZ
Category=JBCC1
Category=JBCT
Category=UG
cities
culture
design
digital
disorder
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gender
heritage
human-computer interaction
media
museum exhibits
photographic archives
politics
reconfiguration
remediation
representation
sociology
sociomaterial
sociotechnical
space
surveillance
urban
video ethnography

Product details

  • ISBN 9780228014256
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Feb 2023
  • Publisher: McGill-Queen's University Press
  • Publication City/Country: CA
  • Product Form: Hardback
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Digital media technologies have provided an occasion not only for novel ways to display and exhibit collections, but also for new politics to arise as museums and urban settings change. While some believe these changes are driven by humans, others see digital media technologies at the heart of these changes.

Reconfiguring the Museum offers a third explanation that considers both the social and technical together and thereby captures the experimental nature of introducing novel digital media technologies to museums, and the uncertainty, messiness, contingency, and complexity involved. In this sociotechnical case study of a novel augmented reality app – first designed to exhibit collections from the Museum of London across the sprawling capital city, and later remade for the McCord Museum to display collections throughout Montreal – Ana-Maria Herman reveals how the app introduced unexpected new relations between the museums, their collections, advertising agencies, sponsors, technology companies, corporations, urban spaces, and end users. She shows how museum practices related to curating, designing, building, visiting, and modifying exhibitions were transformed, and how, in such unsettled arrangements, what we think of as old cultural politics can unexpectedly re-emerge, while new digital politics – related to big data, surveillance, and automated processes – may not necessarily materialize.

A detailed account of emerging actors and practices involved in making digital exhibitions, Reconfiguring the Museum offers practical considerations for museum, culture, and heritage practitioners charged with creating digital displays and accounting for their success or failure.

Ana-Maria Herman is senior lecturer of media and communication at Swansea University.

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