Recording Voiceover

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A01=Tom Blakemore
ADR
advanced spoken word recording techniques
audio engineering
Auralex Acoustics
Author_Tom Blakemore
Bass Traps
Beyerdynamic M201
Category=ATF
Category=ATJ
Category=ATL
Category=UYU
condenser
Condenser Microphone
Condenser Mics
control
digital audio production
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Es Ta
Game Audio
Iso Booth
mic
Mic Preamp
microphone
microphone techniques
Neumann U87
phantom
Pickup Pattern
Playback
power
pro
psychoacoustics
Recording Studio
Ribbon Mic
room
Selector Switch
Shotgun Mic
speech signal processing
Spoken Word Recording
studio acoustics
Switchable Polar Patterns
talent
tools
Trust
UPPER LIMIT
USB Mic
Voice Talent
Voiceover Recording
Young Man

Product details

  • ISBN 9780415716093
  • Weight: 476g
  • Dimensions: 191 x 235mm
  • Publication Date: 17 Mar 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The only book on the market to specifically address its audience, Recording Voiceover is the comprehensive guide for engineers looking to understand the aspects of capturing the spoken word.

Discussing all phases of the recording session, Recording Voiceover addresses everything from microphone recommendations for voice recording to pre-production considerations, including setting up the studio, working with and directing the voice talent, and strategies for reducing or eliminating distracting noise elements found in human speech.

Recording Voiceover features in-depth, specific recommendations for recording radio and television commercials, corporate communications, documentaries, tracks for gaming and animation, radio drama, interviews and roundtable discussions. A discussion of the voice in film and television is also included.

Special attention is paid to the final release format and its impact on recording strategies. Exploration of using telephone interfaces – including both analogue and digital ISDN, as well as recording across the internet – is included.

Tom Blakemore has been an active audio engineer for over thirty years, working in film, television, commercial, and corporate communications as a supervising sound editor and mixer. His film work includes Emmy Award winning documentaries, Academy Award nominees, Directors Guild of America Best Documentary winners, and Audience Award winners at the Toronto, Chicago and Amsterdam Film Festivals. Tom lives in Chicago, where he is an adjunct professor at Tribeca Flashpoint Media Arts Academy teaching film sound, and is a member of the Motion Picture Sound Editors (MPSE) and the Audio Engineering Society (AES).

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