Recreation without Humiliation

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A01=Mary Stanton
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amenities
amusement parks
Author_Mary Stanton
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baseball
Black cowboys
Black middle class
blues
boycotts
brothels
carnivals
Category1=Non-Fiction
Category=HBJ
Category=HBJK
Category=JBSL
Category=JFSL
Category=JPVH
Category=JPVH1
Category=NHK
Category=WQH
Chautauqua
Civil Rights
COP=United States
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dislocation
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
equalization strategy
freedom settlements
gambling
jazz
juke boxes
juke joints
Language_English
leisure
nightclubs
PA=Not yet available
pool halls
Price_€20 to €50
PS=Forthcoming
public space
race
race films
racial tension
real estate
sabotage
segregation
softlaunch
states history
swimming pools
swing music
theme parks
tourist venues
transit systems
urban renewal
vaudeville
violence
white flight

Product details

  • ISBN 9780820367675
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Nov 2024
  • Publisher: University of Georgia Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Recreation without Humiliation is the first comprehensive study of Black amusement venues established by Black Americans for Black Americans. Mary Stanton’s extensive research on African American amusement parks in America explores not only segregation, class, and social barriers but also the notion of the ‘pursuit of happiness’ as an inalienable right for all races and classes of people.

Inspired by summers spent on Coney Island, where Stanton became curious about the existence of African American amusement parks in America, Stanton’s research uncovered more than fifty such venues, most of which operated during the late nineteenth and early twentieth centuries. These were parks, theaters, juke joints, country clubs, summer colonies, baseball diamonds, and arenas. Although these venues provided much needed recreational services to an underserved Black population, many were threatened by whites, and some destroyed by them. Through her study of these sites of recreation, Stanton illuminates the history of African Americans who strove to create and maintain safe and satisfying entertainment despite segregation.

In her research, Stanton also found class divisions among Black American entertainment venues. At the pinnacle of Black society in this era were the upper class, who could afford exclusive Black summer cottages and country clubs. General entertainment for Black working-class families consisted of dancing and drinking in juke joints or patronizing small amusement parks, playgrounds, movie theaters, church-sponsored functions, and Black county fairs. African Americans in the twentieth century, especially in the South, transformed segregation into what historian Earl Lewis calls “congregation.” Congregation implies choice, and this congregation “provided space and support for establishing new amusements, entertainments, music, and dance” without interference or oppression.

MARY STANTON is the author of From Selma to Sorrow: The Life and Death of Viola Liuzzo and Journey toward Justice: Juliette Hampton Morgan and the Montgomery Bus Boycott (both Georgia); and Freedom Walk: Mississippi or Bust. She has taught at the University of Idaho, the College of St. Elizabeth in New Jersey, and Rutgers University.

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