Red Dirt

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A01=Ikaika Ramones
Abundance
Aloha
Ancestral
Assimilation
Author_Ikaika Ramones
Business
Capital
Capitalism
Capitalist
Category=JH
Category=JHMC
Category=JPA
Category=JPN
Ceremony
Colonial
Colonialism
Community
Concrete
Constitutive
Contradictions
Critique
Crucial
Cultural
Culture
Dialectical
Dispossession
Domination
Dynamics
Economic
Economy
Elite
Emerges
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eugenics
Exploitation
Finance
Formations
forthcoming
Goal
Goodyear
Grassroots
Hawaiian
Hawaiianness
Indigeneity
Indigenous
Institutional
Institutions
Investment
Kamehameha
Labor
Language
Mana
Nation
Native
Noa
Notions
Organization
Pauahi
Politics
Practices
Production
Radical
Recognition
Relational
Relationships
Resistance
Resurgence
Revival
Scholars
Settler
Sovereignty
Status quo
Struggle
Surplus
Tension
Transformation
Trustees

Product details

  • ISBN 9780691276564
  • Dimensions: 156 x 235mm
  • Publication Date: 03 Nov 2026
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
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How material conditions and social contradictions remake indigeneity

Indigenous studies struggles to analyze class, yet class reshapes the cultural, political, and economic terrain of indigeneity. In Red Dirt, Ikaika Ramones goes beyond the usual conceptual frameworks of resistance and domination to explore the political-economic basis for Native Hawaiian social reproduction and revitalization. By doing so, he casts indigeneity as a contested process rather than reification, encompassing both grassroots revitalization efforts and large, multibillion-dollar Native organizations.

Ramones offers a class analysis that shifts the theorization of indigeneity away from the metaphysical and idealist methodologies of the academy to trace social contradictions and material conditions instead. He counters the notion of Native culture as a coherent given, disentangling different strains of “Native Hawaiian culture”—an elite strain that depoliticizes and buttresses the status quo and grassroots strains that politicize and produce critical consciousness. Amid movements of cultural revitalization, he shows how histories of racialized eugenics rearticulate into a form of “class assimilation.” By examining organizations that support, shape, and constrain Native Hawaiians, Ramones shows how actors appropriate, protect, or rearticulate economic and social relations within or against capitalism. While mired in capitalism and settler colonialism, he argues, Indigenous actors walk shifting lines of subversion and complicity.

Ikaika Ramones (Kanaka Maoli) is assistant professor of ethnic studies at the University of California, Berkeley.

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