Rediscovering Victorian Women Sensation Writers

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Adultery Plot
Beth Book
British cultural history
Category=DS
Category=DSBF
Category=DSK
Category=JBSF1
En Anglais
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Florence Marryat
gender and genre studies
Gender and Literature
Ghost Story
Ghost Story Writers
Large Families
Late Nineteenth Century Work
Literary Canon
Literary Censorship
Lord Chamberlain's Office
Lord Chamberlain’s Office
Lyn Pykett
metafictional narrative techniques
Mrs Henry Wood
Mysterious Visitor
neglected Victorian sensation writers
nineteenth-century women authors
Ouida's Novels
Ouida's Work
Ouida’s Novels
Ouida’s Work
Sensation Fiction
sensation fiction analysis
Sensation Novels
Sensational Vocabularies
Sheridan Le Fanu
Superb
Trollope's Autobiography
Trollope’s Autobiography
Vice Versa
Victorian literary criticism
Victorian Literature
Victorian Popular Fiction
Victorian Sensation Fiction
Women Discourse
Women Writers
Young Man

Product details

  • ISBN 9780415745796
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Apr 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Scholarly understanding of the Victorian literary field has changed dramatically in the past thirty years, due in large part to the extensive recovery of sensation fiction and a corresponding recognition of that genre’s importance in the literary debates, trends, and wider cultural practices of the period. Yet until very recently, work on sensationalism has focused on a narrow range of authors and works, with Wilkie Collins, Mary Elizabeth Braddon, and Ellen Wood retaining the preponderance of critical attention.

This collection examines the fiction of women sensation writers who were immensely popular in the Victorian period but remain critically neglected today – writers such as M.C. Houston, Amelia Edwards, Rhoda Broughton, Florence Marryat and others. The Victorian sensation novel was categorically associated with women by Victorian reviewers and this collection extends our current understanding of this sub-genre by showing that female sensation writers were often sophisticated in their textual strategies, employing a range of metafictional techniques and narrative innovations. By moving beyond the novelists who have come to represent the genre, this book presents a fuller, more nuanced, understanding of the spectrum of writing that constructed the concept of ‘sensationalism’ for Victorian readers and critics.

The book was originally published as a special issue of Women’s Writing.

Anne-Marie Beller is a Lecturer in English at Loughborough University, UK. She has published on Mary Elizabeth Braddon and other sensation novelists. Recent publications include chapters for A Companion to Sensation Fiction (2011) and The Cambridge Companion to Sensation Fiction (2013). Anne-Marie is the Editor of The Wilkie Collins Journal. Tara MacDonald is an Assistant Professor of English at the University of Amsterdam, The Netherlands, and has published on sensation fiction, Victorian masculinity, and neo-Victorian fiction. She recently contributed to Other Sensations (special issue of Critical Survey, 2011) and The Cambridge Companion to Sensation Fiction (2013).