Redisplaying Museum Collections

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A01=Hannah Paddon
Age Group_Uncategorized
Age Group_Uncategorized
art
Audience Groups
audience participation museums
Author_Hannah Paddon
automatic-update
Biological Collections
Bird Gallery
case
Case Study Museums
Category1=Non-Fiction
Category=AK
Category=AMC
Category=GLZ
Category=GM
Category=WTHM
collaborative exhibition development
Collection Redisplay
COP=United Kingdom
DDA
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_travel
Exeter City Council
exhibition design strategies
gallery
Gallery Themes
GNM.
government policy museums
Grande Galerie De
great
Hancock Museum
heritage funding impact
HLF
interpretive planning
kelvingrove
Kelvingrove Art Gallery
Language_English
Museum Project Team
Museum Redevelopment
Museum Team
museum visitor engagement
museums
Museums Galleries Scotland
north
Northern Ireland Museums Council
PA=Temporarily unavailable
Price_€100 and above
project
Project Management Team
PS=Active
QR Code
RIBA Plan
RIBA Stage
Royal Albert Memorial Museum
softlaunch
study
team
Team Approach
Vice Versa

Product details

  • ISBN 9781409447078
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Oct 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This is the first book to examine, in depth, the multi-million pound redisplay and reinterpretation process in British museums in the early twenty-first century. Acknowledging the importance of the Heritage Lottery Fund (HLF) as project catalyst, Hannah Paddon explains and explores the complex process, from the initial stages of project conceptualisation to the final stages of museum re-opening and exhibition evaluation. She also provides an in-depth look, using three case study museums, at the factors which shape each museum redisplay project including topics such as museum architecture, government agendas and the exhibition team. Finally, the book offers discussions and conclusions around pitfalls and successes and thoughts about the future of collection redisplay.
Hannah Paddon is an independent scholar, UK and Australia.

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