Redrawing Anthropology
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€198.40
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Amanda Ravetz
Anthropological Filmmaker
Art Therapy
Arts Reverie
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B01=Tim Ingold
Battle Of The Somme
bronze
Bronze Age Crete
Cambridge Archaeological Unit
Capoeira Angola
Category1=Non-Fiction
Category=ABA
Category=JHMC
Cinematic Metaphor
COP=United Kingdom
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embodied skill acquisition
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Experimental Film
experimental film in anthropology
Experimental Film Makers
Film Maker's Childhood
Film Maker’s Childhood
goal
graphic ethnography
Heightened Awareness
improvisatory practice
ingold
Jean De Dinteville
Kalpana Ram
kinaesthetic perception
Language_English
martial
material culture studies
Neopalatial Period
observational methodology
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path
Peter Gidal
Played Back
Practises Martial Arts
Price_€100 and above
PS=Active
schema
softlaunch
source
Source Path Goal Schema
Spatial Relations Concepts
tim
Video Walk
Viewer's Head
Viewer’s Head
visual
Visual Anthropology
Zen Arts
Product details
- ISBN 9781409417743
- Weight: 560g
- Dimensions: 156 x 234mm
- Publication Date: 28 Nov 2011
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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Why should anthropologists draw? The answer proposed in this groundbreaking volume is that drawing uniquely brings together ways of making, observing and describing. In twelve chapters, a team of authors from the UK, Europe, North America and Australia explore the potential of a graphic anthropology to change the way we think about creativity and perception, to grasp the dynamics of improvisatory practice, and to refocus the study of material culture from ready-made objects onto the flows of materials involved in the generation of things. Drawing on expertise in fields ranging from craftwork, martial arts, and dance to observational cinema and experimental film, they ask what it means to follow materials, to learn movements and to draw lines. Along the way, they contribute to key debates on what happens in making, the relation between design and performance, how people acquire bodily skills, the place of movement in human self-awareness, the relation between walking and imagination, and the perception of time. This book will appeal not just to social, cultural and visual anthropologists but to archaeologists and students of material culture, as well as to scholars across the arts, humanities and social sciences with interests in perception, creativity and material culture.
Tim Ingold is Professor of Social Anthropology at the University of Aberdeen, UK
