Reenvisioning Histories of American Art

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African American art
Age Group_Uncategorized
Age Group_Uncategorized
art and anthropology
art curation
Asian American art
automatic-update
B01=Jami C. Powell
B01=Michael Hartman
B09=Laura Kina
Category1=Non-Fiction
Category=AGA
Category=GLZ
Category=GM
Category=HBTB
Category=JBSL11
Category=JFSL9
Category=NHTB
COP=United States
Delivery_Pre-order
diverse art
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Language_English
Latinx art
museums
Native American art
PA=Not yet available
Price_€20 to €50
PS=Forthcoming
softlaunch

Product details

  • ISBN 9780295753386
  • Weight: 612g
  • Dimensions: 184 x 229mm
  • Publication Date: 25 Mar 2025
  • Publisher: University of Washington Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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How museums are changing to embrace a more inclusive vision of American artUS museums have faced increasing pressure to reckon with their histories in light of movements against racism, violence, and the erosion of human rights here and abroad. Self-reflection and transformation have emerged in tandem with a focus on incorporating antiracism and decolonization in museum practice. Fundamental to these shifts is the idea that one cannot tell the story of American art without Native American, African American, Asian American, and Latinx art.

Featuring innovative scholarship and approaches from art history, anthropology, gender and sexuality studies, history, and ethnic studies, the curators and scholars in this volume write about transforming theory and methodology into museum practice as they reflect on the challenges and possibilities for expanding the canon of American art. Beyond the shortcomings of traditional curatorial approaches, they demonstrate how sustained dialogue, community engagement, and curatorial collaboration have fueled important changes to art curation. A progress report and a how-to guide, this collection considers the flawed past and inclusive future for how American art is displayed and taught.

Michael W. Hartman is Jonathan Little Cohen Associate Curator of American Art at the Hood Museum of Art at Dartmouth College. Jami C. Powell (Osage) is associate director of curatorial affairs and curator of Indigenous art at the Hood Museum and a faculty lecturer in Dartmouth’s Department of Native American and Indigenous Studies. She is editor of Form and Relation: Contemporary Native Ceramics.