Reflections on Aesthetic Judgment and other Essays

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A01=Benjamin Tilghman
Aesthetic Descriptions
Aesthetic Realism
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Age Group_Uncategorized
Ambiguous Duck Rabbit Figure
analytic aesthetics
art theory criticism
Author_Benjamin Tilghman
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Category1=Non-Fiction
Category=HPN
Category=QDTN
Colorless Bodily Movements
conceptual art history
Conceptual Joke
COP=United States
Delivery_Pre-order
Depth Grammar
Don Quixote
Duck Rabbit Figure
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Facial Contortions
General Philosophical Theory
Geometrical Perspective
Gombrich's Work
Gombrich’s Work
Green Eyed Monster
Headache Powder
Identical Squares
Language_English
Le Bateau Ivre
Le Brun's Theories
Le Brun’s Theories
moral philosophy art
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philosophy of human understanding
Price_€100 and above
PS=Active
Psychophysiological Space
Real Poem
representation in art
Royal Academy
Saint Ignatius
secondary
Secondary Sense
Secondary Senses
Section Xi
senses
softlaunch
Wittgenstein philosophy
Young Man

Product details

  • ISBN 9780815391371
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Nov 2017
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Benjamin Tilghman has been a leading commentator on analytic philosophy for many years. This book brings together his most significant and influential work on aesthetics. Spanning a period of thirty years and covering topics in aesthetics from literature to painting, the collection traces the development of Tilghman's two principal themes; a rejection of philosophical theory as a way of resolving problems about our understanding and appreciation of art and the importance of the representation and presentation of the human and human concerns in art. Tilghman is profoundly influenced by the philosophy of Ludwig Wittgenstein and his work is informed throughout by his conception and practice of philosophy. Written with exceptional clarity and with many references to original work in both painting and literature, this collection will be an invaluable resource not only for professional philosophers but for those working in the arts generally, art historians, critics and literary theorists.

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