ReFocus: The Films of Mary Harron

Regular price €26.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
American directors
American Psycho
automatic-update
B01=Kyle Barrett
Category1=Non-Fiction
Category=APF
Category=ATF
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film and gender
indiewood
Language_English
Mary Harron
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Women filmmakers

Product details

  • ISBN 9781474494427
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Jul 2023
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Offers the first first book-length study of Mary Harron's career and works Argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations Explores her depiction of masculinity, patriarchy, feminism, and biopic genre Positions Harron's filmmaking as a diverse, challenging body of work that is contextualized within contemporary industry practicesMary Harron's diverse career includes cult films like I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, as well as a range of network and cable television episodes. This is the first book to examine an overlooked filmmaker in relation to feminist cinema. It discusses the dialectical dynamics within her wide-ranging body of work, and it argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations. Each chapter provides an in-depth study on Harron's creative approaches to film and television production, with chapters offering close readings of each of her 5 narrative features, and her work in television and promotional film. With scholarly approaches from the fields of cinema, television, gender, fashion, death and celebrity studies, this is a long-awaited introduction to a groundbreaking figure in contemporary cinema.
Kyle Barrett is a Lecturer and filmmaker in Screen and Media Studies at the University of Waikato, New Zealand.