Reform, Notation and Ottoman music in Early 19th Century Istanbul

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A01=Mehmet Ali Sanlikol
Ali Ufki
Author_Mehmet Ali Sanlikol
Byzantine
Byzantine Music
Byzantine Notation
Category=AB
Category=AVL
Category=AVQ
Category=GTM
Chromatic Genus
classical
Classical Ottoman
Classical Turkish Music
composition
Dede Efendi
Diatonic Genus
Ecclesiastical Music
Enharmonic Genera
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicology
Euterpe
Fake Books
Greek
Greek Orthodox Church
Hicaz Makam
Mevlevi Dervishes
Middle Eastern
music
musical notation
national identity
neumatic notation
notation
Ottoman
Ottoman Music
Rauf Yekta
Secular Music
Selim III
staff notation
Sultan Selim III
theory
transcription
Turkish
Turkish Language
Turkish Music
Turkish Tradition
Usul Cycles
vocal music

Product details

  • ISBN 9781032413846
  • Weight: 560g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Reform, Notation and Ottoman Music in Early 19th Century Istanbul: EUTERPE presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics.

Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to the 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman Music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe.

This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology.

Mehmet Ali Sanlıkol is a full-time faculty member of the New England Conservatory (NEC) Music History & Musicology department and is the director of the Intercultural Institute at NEC.

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