Reform, Notation and Ottoman music in Early 19th Century Istanbul

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A01=Mehmet Ali Sanlikol
A01=Mehmet Ali Sanlkol
Age Group_Uncategorized
Age Group_Uncategorized
Ali Ufki
Author_Mehmet Ali Sanlikol
Author_Mehmet Ali Sanlkol
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Byzantine
Byzantine Music
Byzantine neumatic notation
Byzantine Notation
Category1=Non-Fiction
Category=AB
Category=AVG
Category=AVL
Category=AVQ
Category=GTB
Category=GTM
Chromatic Genus
classical
Classical Ottoman
Classical Turkish Music
composition
COP=United Kingdom
cross-cultural musicology
Dede Efendi
Delivery_Delivery within 10-20 working days
Diatonic Genus
Ecclesiastical Music
Enharmonic Genera
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicological analysis
ethnomusicology
Euterpe
Fake Books
Greek
Greek Orthodox Church
Greek Turkish music interaction
Hicaz Makam
Language_English
makam theory
Mevlevi Dervishes
Middle Eastern
music
musical notation
musical transmission
national identity
Neumatic Notation
notation
Ottoman
Ottoman Music
PA=Available
Price_€20 to €50
PS=Active
Rauf Yekta
Secular Music
Selim III
softlaunch
staff notation
Sultan Selim III
theory
transcription
Turkish
Turkish Language
Turkish Music
Turkish Tradition
Usul Cycles
usul rhythmic patterns
Vocal Music

Product details

  • ISBN 9781032413853
  • Weight: 440g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Reform, Notation and Ottoman Music in Early 19th Century Istanbul: EUTERPE presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics.

Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to the 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman Music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe.

This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology.

Mehmet Ali Sanlıkol is a full-time faculty member of the New England Conservatory (NEC) Music History & Musicology department and is the director of the Intercultural Institute at NEC.

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