Reframing Chaïm Soutine

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A01=Louise Franklin
archival research
art historiography
artistic legacy
Author_Louise Franklin
biographical myths
Category=AGB
Category=DNB
Chaim Soutine
critical biography
cultural impact
Ecole de Paris
emigre community
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
international reception
Jewish artist
modern painting
Parisian art scene
twentieth-century art
WWII experiences

Product details

  • ISBN 9781350283350
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Oct 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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This book presents the first scholarly account of the life and artistic legacy of the influential École de Paris painter, Chaïm Soutine (1893-1943). In addition to presenting new archival and fieldwork findings, Franklin interrogates and decisively dispels many of the persistent, popular but problematic biographical myths that have dogged the artist and limited interpretation of his works.

This book is at once a critical biography and a handbook – with chapters organised both chronologically and thematically – and is divided in two parts: Part I presents an extended scholarly account of Soutine’s life, beginning with chapters examining his family and sociocultural milieu, before his educational and physical journeys from the shtetl of Smilavicy to the Parisian art academies and émigré community of the École de Paris are charted. The thematic chapters that follow focus on the role that specific places and people – including Céret, Cagnes-sur-Mer, studios, galleries, friends, lovers, dealers, patrons, collectors and sitters – played in the formation of his life, work and career. Part I concludes with chapters addressing his harrowing experiences as a prominent Jewish artist during WWII and his untimely death in August 1943, including his burial and the first legal battles over control of his estate and legacy. Part II details the reception and impact of Soutine’s work in the four countries that exhibited his paintings most frequently in the twentieth century – France, the USA, Britain and, discussed herein for the first time, Japan – and in so doing unequivocally demonstrates the scope of his enduring international artistic legacy.

In sum, this book reframes Chaïm Soutine as an educated, intelligent and sensitive man, a kind friend and influential artist, whose paintings rightly stand amongst the greatest artworks of the twentieth century.

Louise Franklin is Programme Leader for BA Art History at the Bristol School of Art and Associate Lecturer in Visual Culture at the University of the West of England, UK. Her wider research is concerned with representations of intersecting identities in a range of cultural forms and contexts, plus arts and humanities pedagogy.

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