Reframing Culture

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A01=Roberta E. Pearson
A01=William Uricchio
Acting
Actor-manager
Advertising
Age Group_Uncategorized
Age Group_Uncategorized
Antony and Cleopatra
Art film
Author_Roberta E. Pearson
Author_William Uricchio
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Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=HBTB
Category=JFD
Category=KNTC
Censorship
Classical Hollywood cinema
COP=United States
Cultural hegemony
Cultural reproduction
Culture and Society
D. W. Griffith
Delivery_Pre-order
Dime museum
East Lynne
Edward Said
Elbert Hubbard
Entertainment
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film
Film industry
Hegemony
Illustration
Institution
J. Stuart Blackton
Jack Zipes
Jonathan Dollimore
Judgment of Solomon
Language_English
Lawrence Barrett
Lecture
Literature
McClure's
Melodrama
Melting pot
Motion Picture Patents Company
Mr.
Muckraker
Napoleon
Narrative
Newspaper
Oliver Cromwell
Orientalism
PA=Temporarily unavailable
Passion Play
Patriotism
Personal Appearance
Photoplay
Plagues of Egypt
Popular history
Price_€50 to €100
PS=Active
Publicity
Puritans
Ralph Waldo Emerson
Redress
Religion
Romanticism
Rugged individualism
Self-Made Man (book)
Shakespeare's plays
Six Acts
softlaunch
Sound effect
Sunday school
Superiority (short story)
Sweetness and light
Symbolic power
Testimonial
The Battle Hymn of the Republic
The Educational Alliance
The Man of Destiny
The Moving Picture World
The Philosopher
Twelfth Night
V.
Vice and Virtue
William Shakespeare

Product details

  • ISBN 9780691630212
  • Weight: 539g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The works of Shakespeare and Dante or the figures of George Washington and Moses do not often enter into popular conceptions of the silent cinema, yet, between 1907 and 1910, the Vitagraph Company frequently used such material in producing "quality" films that promulgated "respectable" culture. William Uricchio and Roberta Pearson situate these films in an era of immigration, labor unrest, and mainstream American xenophobia, in order to explore the cultural views promoted by the films and the ways the audiences--the middle classes as well as workers and immigrants--related to what they saw. The authors associate the production of quality films with a top-down forging of cultural consensus on issues such as patriotism and morality, and reveal the surprising bottom-up negotiations of these films' "meanings.". Devoting chapters to the literary, historical, and biblical subjects used by Vitagraph, this book draws upon plays, pageants, school textbooks, and even product advertisements to illuminate the conditions of cinematic production and reception. It provides a detailed look at one aspect of the film industry's transformation from "despised cheap amusement" to the nation's dominant mass medium, while showing how cultural elites engaged in a struggle similar to that of today's American academy over the literary canon and national value systems. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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