Reframing Drag

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A01=Kayte Stokoe
Anglo-American
Anglo-American Queer
Author_Kayte Stokoe
Category=DS
Category=DSB
Category=DSBH
Category=JBCC
Category=JBCC1
Category=JBSF
Category=JBSF11
Category=JBSJ
Category=JHB
Christine Bard
contemporary
Cross Dressed Women
drag
Drag King
Drag King Performance
Drag Performance
Drag Performers
drag practices
Drag Queen Performance
Drag Race
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist literary criticism
feminist theorizations
French
French theorists
gender
Gender Non-conforming People
Gender Non-conformity
gender non-conformity studies
Gender Parody
gender performativity
gender studies
Homophobic Stigma
intersectional
intersectional analysis
intersectional transfeminist drag performance
Kayte Stokoe
Lesbian Body
literary texts
literature
Masculine Protest
Mother Camp
Nightlife Contexts
Opposite Sex
Performer's Motivation
Performer’s Motivation
queer
queer theory
queer theory scholarship
reframing
reframing drag
RuPaul's Drag Race
RuPaul’s Drag Race
Sexological Case Studies
sociology
subversive
theorisation
theorization
Trans People
transfeminism
transfeminist
Transgender Practices
Virginia Woolf's Orlando
Virginia Woolf’s Orlando
Young Man

Product details

  • ISBN 9781138312128
  • Weight: 408g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Reframing Drag provides a critical survey of French and Anglo-American queer and feminist theorizations of drag performance, placing these approaches in a dialogue with contemporary drag practice and the representation of drag in three literary texts. Challenging pervasive assumptions circulating in existing queer and feminist analyses of drag performance, the author identifi es and questions three recurring ideas which have shaped the landscape of drag research: the argument that drag performances either uphold or subvert oppressive gender norms, the assumption that drag involves performing as the ‘opposite sex’, and the belief that drag can shed light on gender performativity. Informed by a range of gender and queer theory, this work contends that an intersectional, transfeminist approach to drag performance can provide richer, more nuanced understandings of drag and, unlike the ‘opposite sex’ narrative, acknowledges the gender diversity at work in current drag scenes.

Kayte Stokoe is Teaching Assistant in French Studies at the University of Warwick, UK.

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