Reframing the Long 1960s on British Screens

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1970s
A01=Estella Tincknell
Author_Estella Tincknell
British TV
Category=ATFA
Category=ATFN
Category=JBSF2
Category=NHTB
class
counter-culture values
crime dramas
crime underworld
criminality
cultural shifts
culture
desire
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminine subordination
film
forthcoming
homoerotic
identity
judiciary
masculine agency
masculinity
myth
narrative
nostalgia
order
police
power
rule of law
social fragmentation
violence

Product details

  • ISBN 9781666934618
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Jul 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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In Reframing the Long 1960s Estella Tincknell explores the way British crime films and television series made during or about that extended decade have been marked by ongoing tensions between nostalgic myths of masculinity, power and whiteness and attempts to challenge or transform those dominant narratives.

Tincknell blends cultural analysis and original research with close reading to examine a wide variety of crime subgenres from police procedurals and heist films to gangster narratives and thrillers, comparing the approaches of texts such as Z-Cars (1962-1978), Robbery (1967), Get Carter (1971) and The Sweeney (1975–1978) with those of period dramas aimed at twenty-first century audiences, including The Great Train Robbery (2013), Legend (2015), The Trial of Christine Keeler (2019) and Endeavour (2012–2023). Tincknell identifies the important intersections between text, genre, nostalgia and popular memory as she traces how persistent myths about crime and criminality—and about “the long 1960s” as a defining period for British cultural identity—have been represented and recirculated.

Estella Tincknell is a visiting fellow in film and culture at the University of the West of England, UK.

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