Reinventing Childhood Nostalgia

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adaptation theory
Alberdingk Thijm
Andrew O'Malley
Anita Wohlmann
Bettina KMmerling-Meibauer
Carol L. Tilley
Category=JBCC2
Category=JBCT
Category=JBSP1
Category=NHTB
CD Rom Technology
child agency ethics
Childhood Nostalgia
Classic Children's Books
Classic Children’s Books
Codruta Pohrib
Contemporary Convergence Culture
cultural identity formation
digital media nostalgia analysis
Doll Collectors
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eq_history
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eq_non-fiction
eq_society-politics
Gary Cross
Helle Strandgaard Jensen
Helma Van Lierop-Debrauwer
Ingeborg Lunde Vestad
Joshua Garrison
KarLesnik-Oberstein
Lego Fans
Lego Star Wars
Lincoln Geraghty
Luke Springman
Main Street USA
Mariano Narodowski
Marie-Luise Kohlke
media convergence studies
memorialisation practices
memory politics
Neil Cocks
neo-Victorian Fiction
Perpetual Adolescent
Photo Books
Reflective Nostalgia
Restorative Nostalgia
Scared Straight
SED
SED State
Sociological Propaganda
Star Wars Universe
Superhero Comics
Tim Gidal
Tv Report
Vanessa Joosen
Vanessa Rutherford
West Germany
Wondrous Innocence
Young Men

Product details

  • ISBN 9781472474124
  • Weight: 635g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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While Romantic-era concepts of childhood nostalgia have been understood as the desire to retrieve the ephemeral mindset of the child, this collection proposes that the emergence of digital media has altered this reflective gesture towards the past. No longer is childhood nostalgia reliant on individual memory. Rather, it is associated through contemporary convergence culture with the commodities of one's youth as they are recycled from one media platform to another. Essays in the volume's first section identify recurrent patterns in the recycling, adaptation, and remediation of children's toys and media, providing context for section two's exploration of childhood nostalgia in memorial practices. In these essays, the contributors suggest that childhood toys and media play a role in the construction of s the imagined communities (Benedict Anderson) that define nations and nationalism. Eschewing the dichotomy between restorative and reflexive nostalgia, the essays in section three address the ethics of nostalgia in terms of child agency and depictions of childhood. In a departure from the notion that childhood nostalgia is the exclusive prerogative of narrative fiction, section four looks for its traces in the child sciences. Pushing against nostalgia's persistent associations with wishful thinking, false memories, and distortion, this collection suggests nostalgia is never categorically good or bad in itself, but owes its benefits or defects to the ways in which it is brought to bear on the representation of children and childhood.

Elisabeth Wesseling is Director of the Centre for Gender and Diversity at Maastricht University, The Netherlands.