Remaking History

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A01=Jerome De Groot
Academic Historical Mainstream
Anglophone Film
Author_Jerome De Groot
Boardwalk Empire
Category=ATF
Category=JBCT
Category=NHA
Category=NHB
Category=NHTB
Contemporary Historical Fictions
Costume Drama
Dominant Western Worldview
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics of memory
fictional past interpretation
Fictive Historiography
film and history
Film's Final Sequence
Film’s Final Sequence
historical fiction
Historical Fictions
Historical Imaginary
historical representation theory
historiographical critique
Historiographical Engagement
Historiographical Sensibility
history and fiction
Inglourious Basterds
Jamestown Colony
Le Retour De Martin Guerre
literature and history
Lucky Strikes
media studies methodology
Meek's Cutoff
Meek’s Cutoff
narrative construction
popular culture analysis
Popular Historical Fictions
Popular Historical Texts
Popular Historiography
Series Mad Men
television and history
Timur Bekmambetov
UK Film Council
Wolf Hall
Yorkshire Ripper

Product details

  • ISBN 9780415858779
  • Weight: 476g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Aug 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Remaking History considers the ways that historical fictions of all kinds enable a complex engagement with the past. Popular historical texts including films, television and novels, along with cultural phenomena such as superheroes and vampires, broker relationships to ‘history’, while also enabling audiences to understand the ways in which the past is written, structured and ordered.

Jerome de Groot uses examples from contemporary popular culture to show the relationship between fiction and history in two key ways. Firstly, the texts pedagogically contribute to the historical imaginary and secondly they allow reflection upon how the past is constructed as ‘history’. In doing so, they provide an accessible and engaging means to critique, conceptualize and reject the processes of historical representation. The book looks at the use of the past in fiction from sources including Mad Men, Downton Abbey and Howard Brenton’s Anne Boleyn, along with the work of directors such as Terence Malick, Quentin Tarantino and Martin Scorsese, to show that fictional representations enable a comprehension of the fundamental strangeness of the past and the ways in which this foreign, exotic other is constructed.

Drawing from popular films, novels and TV series of recent years, and engaging with key thinkers from Marx to Derrida, Remaking History is a must for all students interested in the meaning that history has for fiction, and vice versa.

Jerome de Groot is Senior Lecturer at the University of Manchester. He is the author of The Historical Novel (2009), Consuming History (2008), and Royalist Identities (Palgrave, 2004).

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