art conservation science
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Category=AGA
Dutch Golden Age art
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ferdinand bol
gerrit dou
humanist art theory
jan lievens
jan van vliet
painting
printmaking
printmaking techniques
rembrandt
Rembrandt school research
seventeenth-century painting
technical art history
workshop practices Amsterdam
Product details
- ISBN 9781041185260
- Weight: 720g
- Dimensions: 210 x 260mm
- Publication Date: 01 Dec 2025
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry.
Stephanie Dickey (editor) holds the Bader Chair in Northern Baroque Art at Queen's University in Kingston, Ontario, Canada. She is the author of Rembrandt: Portraits in Print (2006) and numerous articles and book chapters on the art of Rembrandt, Jan Lievens, Anthony van Dyck, and their contemporaries, with a focus on the cultural significance of portraiture and printmaking in early modern Europe. With Herman Roodenburg, she co-edited Volume 60 of the Nederlands Kunsthistorisch Jaarboek: The Passions in the Arts of the Early Modern Netherlands (Zwolle: Waanders, 2010).
