A32=Amy Golahny
A32=Boudewijn Bakker
A32=H. Chapman
A32=Ildiko Ember
A32=Jacquelyn Coutré
A32=Lloyd Witt
A32=Martin Bijl
A32=Pieter Coelen
A32=S.A.C. Dudok Heel
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Stephanie Dickey
Category1=Non-Fiction
Category=ACQ
Category=AGA
COP=Netherlands
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ferdinand Bol
Gerrit Dou
Jan Lievens
Jan van Vliet
Language_English
PA=Not available (reason unspecified)
painting
Price_€100 and above
printmaking
PS=Active
Rembrandt
softlaunch
technical art history
Product details
- ISBN 9789462984004
- Dimensions: 210 x 260mm
- Publication Date: 19 Oct 2017
- Publisher: Amsterdam University Press
- Publication City/Country: NL
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry.
Stephanie Dickey (editor) holds the Bader Chair in Northern Baroque Art at Queen's University in Kingston, Ontario, Canada. She is the author of Rembrandt: Portraits in Print (2006) and numerous articles and book chapters on the art of Rembrandt, Jan Lievens, Anthony van Dyck, and their contemporaries, with a focus on the cultural significance of portraiture and printmaking in early modern Europe. With Herman Roodenburg, she co-edited Volume 60 of the Nederlands Kunsthistorisch Jaarboek: The Passions in the Arts of the Early Modern Netherlands (Zwolle: Waanders, 2010).
