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Rembrandt
A01=Jaco Rutgers
A01=Timothy J Standring
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artist's studio
Author_Jaco Rutgers
Author_Timothy J Standring
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baroque art
Category1=Non-Fiction
Category=AFH
Category=AGB
Category=AGC
colorado
COP=United States
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denver museum of art
drawing
dutch art
dutch baroque
dutch republic
eq_art-fashion-photography
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etching
exhibition catalogue
Language_English
old master
PA=Available
Price_€20 to €50
printing
printmaking
PS=Active
SN=Denver Art Museum Series (Yale)
softlaunch
Product details
- ISBN 9780300234299
- Weight: 1479g
- Dimensions: 260 x 279mm
- Publication Date: 09 Oct 2018
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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A compelling reconsideration of Rembrandt’s printed oeuvre based on new research into the artist’s life and work
As a pioneering printmaker, Rembrandt van Rijn (1606–1669) stood apart from his contemporaries thanks to his innovative approach to composition and his skillful rendering of space and light. He worked with the medium as a vehicle for artistic expression and experimentation, causing many to proclaim him the greatest etcher of all time. Moreover, the dissemination of the artist’s prints outside of the Dutch Republic during his lifetime contributed greatly to establishing Rembrandt’s reputation throughout Europe.
Sumptuously illustrated with comparative paintings and drawings as well as prints, this important volume draws on exciting new scholarship on Rembrandt's etchings. Authors Jaco Rutgers and Timothy J. Standring examine the artist’s prints from many angles. They reveal how Rembrandt intentionally varied the states of his etchings, printed them on exotic papers, and retouched prints by hand to create rarities for a clientele that valued unique impressions.
Published in association with the Denver Art Museum
As a pioneering printmaker, Rembrandt van Rijn (1606–1669) stood apart from his contemporaries thanks to his innovative approach to composition and his skillful rendering of space and light. He worked with the medium as a vehicle for artistic expression and experimentation, causing many to proclaim him the greatest etcher of all time. Moreover, the dissemination of the artist’s prints outside of the Dutch Republic during his lifetime contributed greatly to establishing Rembrandt’s reputation throughout Europe.
Sumptuously illustrated with comparative paintings and drawings as well as prints, this important volume draws on exciting new scholarship on Rembrandt's etchings. Authors Jaco Rutgers and Timothy J. Standring examine the artist’s prints from many angles. They reveal how Rembrandt intentionally varied the states of his etchings, printed them on exotic papers, and retouched prints by hand to create rarities for a clientele that valued unique impressions.
Published in association with the Denver Art Museum
Exhibition Schedule:
Denver Art Museum
(09/16/18–01/09/19)
Jaco Rutgers is coauthor (with Erik Hinterding) of the authoritative seven-volume catalogue raisonné of Rembrandt’s etchings. Timothy J. Standring is the Gates Family Foundation Curator at the Denver Art Museum.
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