Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art

Regular price €56.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Michael Zell
amateur artists
art patronage networks
artistic labour ethics
Author_Michael Zell
Category=AB
Category=AGA
Category=N
dutch art
Dutch Golden Age painting
early modern cultural exchange
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gift exchange in seventeenth-century Netherlands
golden age
reciprocity in art history
rembrandt
symbolic economy
the gift
vermeer

Product details

  • ISBN 9781041185291
  • Weight: 940g
  • Dimensions: 174 x 246mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe, and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a love of art, not materialistic gain. In the merchant republic’s vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.

Michael Zell is Associate Professor of Art History at Boston University. He is the author of Reframing Rembrandt: Jews and the Christian Image in Seventeenth-Century Amsterdam (2002), and co-editor of Rethinking Rembrandt (2002) and 'Ut pictura amor': The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 (2017).

More from this author