Remembering French Algeria

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A01=Amy L. Hubbell
Africa
Age Group_Uncategorized
Age Group_Uncategorized
Albert Camus
Algeria
Author_Amy L. Hubbell
automatic-update
Category1=Non-Fiction
Category=DSBH5
Colonial Identity
Colonialism
Colonization
Colony
COP=United States
Delivery_Delivery within 10-20 working days
Discrimination
eq_bestseller
eq_biography-true-stories
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
France
French Empire
Helene Cixous
Immigrant
Immigration
Imperialism
Jacques Derrida
Language_English
Le Mythe de Sisyphe
Leila Sebbar
Literary Criticism
Marie Cardinal
PA=Available
Pieds-Noirs
Price_€50 to €100
PS=Active
Settler Colony
softlaunch
War for Independence

Product details

  • ISBN 9780803264908
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jun 2015
  • Publisher: University of Nebraska Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Colonized by the French in 1830, Algeria was an important French settler colony that, unlike its neighbors, endured a lengthy and brutal war for independence from 1954 to 1962. The nearly one million Pieds-Noirs (literally "black-feet") were former French citizens of Algeria who suffered a traumatic departure from their homes and discrimination upon arrival in France. In response, the once heterogeneous group unified as a community as it struggled to maintain an identity and keep the memory of colonial Algeria alive.

 

Remembering French Algeria examines the written and visual re-creation of Algeria by the former French citizens of Algeria from 1962 to the present. By detailing the preservation and transmission of memory prompted by this traumatic experience, Amy L. Hubbell demonstrates how colonial identity is encountered, reworked, and sustained in Pied-Noir literature and film, with the device of repetition functioning in these literary and visual texts to create a unified and nostalgic version of the past. At the same time, however, the Pieds-Noirs' compulsion to return compromises these efforts. Taking Albert Camus's Le Mythe de Sisyphe and his subsequent essays on ruins as a metaphor for Pied-Noir identity, this book studies autobiographical accounts by Marie Cardinal, Jacques Derrida, Hélène Cixous, and Leïla Sebbar, as well as lesser-known Algerian-born French citizens, to analyze movement as a destabilizing and productive approach to the past.

Amy L. Hubbell is a lecturer in French at the University of Queensland. She is the coeditor of Textual and Visual Selves: Photography, Film, and Comic Art in French Autobiography (Nebraska, 2011).

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