Regular price €28.50
Title
A01=Rachel Elizabeth Harding
A01=Rosemarie Freeney Harding
Author_Rachel Elizabeth Harding
Author_Rosemarie Freeney Harding
Category=JBSF1
Category=JBSL
Category=NHTB
Category=QR
eq_bestseller
eq_history
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics

Product details

  • ISBN 9780822358794
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 May 2015
  • Publisher: Duke University Press
  • Publication City/Country: US
  • Product Form: Paperback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

An activist influential in the civil rights movement, Rosemarie Freeney Harding’s spirituality blended many traditions, including southern African American mysticism, Anabaptist Christianity, Tibetan Buddhism, and Afro-Brazilian Candomblé. Remnants, a multigenre memoir, demonstrates how Freeney Harding's spiritual life and social justice activism were integral to the instincts of mothering, healing, and community-building. Following Freeney Harding’s death in 2004, her daughter Rachel finished this decade-long collaboration, using recorded interviews, memories of her mother, and her mother's journal entries, fiction, and previously published essays.
Rosemarie Freeney Harding (1930–2004) was an organizer, teacher, social worker, and cofounder of Mennonite House, an early integrated community center in Atlanta. She also cofounded the Veterans of Hope Project at the Iliff School of Theology.

Rachel Elizabeth Harding, daughter of Rosemarie Freeney Harding and Vincent Harding, is Associate Professor of Indigenous Spiritual Traditions in the Ethnic Studies Department at the University of Colorado, Denver, and author of A Refuge in Thunder: Candomblé and Alternative Spaces of Blackness.