Remnants of Refusal

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A01=Erin Shevaugn Schlumpf
Author_Erin Shevaugn Schlumpf
Category=ATFA
Category=DSM
Category=JBSF11
China in film
Collective trauma in literature
collective trauma in motion pictures
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feminist theory
France in film
French literature
Women in literature
Women in motion pictures

Product details

  • ISBN 9798855802153
  • Weight: 367g
  • Dimensions: 152 x 229mm
  • Publication Date: 02 Nov 2025
  • Publisher: State University of New York Press
  • Publication City/Country: US
  • Product Form: Paperback
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Analyzes how French and Chinese literary and filmic texts enact a series of feminist affective responses to the erasure of historical trauma.

Remnants of Refusal traces an affective discourse of feminist refusal across a series of French and Chinese works of film and literature. Developing an inventive comparative approach, Erin Shevaugn Schlumpf argues that this discourse takes shape in response to two national traumas and their aftermath: the German Occupation and the Tiananmen Square Massacre, respectively. In both contexts, events associated with the trauma were effectively erased from the official historical record and replaced by an unwritten code of public secrecy. And, in both contexts, three affects-melancholy, ambivalence, and exhaustion-provide means of expressing mourning without breaking the taboo of direct representation. In films and literary texts by Wang Anyi, Chen Ran, Jia Zhangke, Nathalie Sarraute, Marguerite Duras, Jean-Luc Godard, and others, mourning is most frequently borne by and through the bodies of women, generating a broader feminist counternarrative to historical forgetting and burgeoning neoliberalism.

Erin Shevaugn Schlumpf is Associate Professor of Film at Ohio University.

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