Renaissance and the Postmodern

Regular price €210.80
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Duke Pesta
A01=Thomas L Martin
Area Studies
Author_Duke Pesta
Author_Thomas L Martin
Bartholmew Fair
Book III
Boy Actor
Category=DSB
Category=DSG
Colin Clout
comparative literary studies
critical methodologies
critical theory
cultural studies
Dead Men
derrida
Dramatic Contract
early modern
early modern literature
Elizabethan World Picture
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Faerie Queene
foucault
Gender Critics
historicism
historicism in literature
lacan
Lacanian Critics
Lacanian Readings
Linguistic Colonialism
Linguistic Colonization
literary theory analysis
Materialist Criticism
milton
Milton Quarterly
Mount Acidale
Paradise Lost
Post-colonial Readings
postcolonial
Postcolonial Critics
Postcolonial Reading
Postcolonialism
postmodern
postmodern interpretations of Renaissance texts
postmodernism
psychoanalytic criticism
renaissance
Renaissance Drama
renaissance literature
Richard III
Satan's Rhetoric
Satan’s Rhetoric
Sea Venture
Seminar VII
shakespeare
spenser
Wild Man

Product details

  • ISBN 9781138659094
  • Weight: 590g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 May 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The Renaissance and the Postmodern reconsiders postmodern readings of Renaissance texts by engaging in a dialectics the authors call comparative critical values. Rather than concede the contemporary hierarchy of theory over literature, the book takes the novel approach of consulting major Renaissance writers about the values at work in postmodern representations of early modern culture. As criticism seeks new directions and takes new forms, insufficient attention has been paid to the literary and philosophical values won and lost in the exchanges. One result is that the way we understand the logical connections, the literary textures, and the philosophical impulses that make up the literature of writers like Spenser, Shakespeare, and Milton has fundamentally changed. Examining theoretical debates now in light of polemical controversies then, the book goes beyond earlier studies in that it systematically examines the effects of these newer critical approaches across their materialist, historicist, deconstructive, and psychoanalytic manifestations. Bringing gravity and focus to this question of critical continuities and discontinuities, each chapter counterposes one major Renaissance voice with a postmodern one to probe these issues and with them the value of the cultural past. As voices on both sides of the historical divide illuminate key differences between the Renaissance and the Postmodern, a critical model emerges from the book to re-engage this period’s humane literature in a contemporary context with intellectual rigor and a renewed sense of cultural enrichment.

Thomas L. Martin is associate professor of English at Florida Atlantic University, where he teaches literary theory, Renaissance literature, and literature of the fantastic. He is the author of Poiesis and Possible Worlds: A Study in Modality and Literary Theory and of various articles on the Renaissance, theory, and fantasy. Duke Pesta is associate professor of English at University of Wisconsin Oshkosh, where he teaches Shakespeare, Renaissance literature, and courses ranging from the Bible to Russian literature and from Dante to C. S. Lewis. He is the author of various articles on Shakespeare, Renaissance Drama, Michelangelo, the history of medicine, and the intersection of Renaissance literature, art, and science and is editor of a biographical and critical edition of the life and work of Lord Byron.

More from this author