Renaissance Drama in England and Spain

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A Game at Chess
A01=John Clyde Loftis
Alfonso VIII of Castile
Allusion
Anne Boleyn
Army of Flanders
Author_John Clyde Loftis
Beaumont and Fletcher
Cambridge University Press
Capture of Breda (1590)
Cardinal Richelieu
Category=DSB
Category=DSG
Catholic Church in England and Wales
Catholic Monarchs
Charles V
Duke of Alba
Dutch Republic
Dutch Revolt
Earl of Bristol
English drama
English Reformation
English Renaissance
English Renaissance theatre
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fadrique
Fair Maid
Franco-Spanish War (1635-59)
Geoffrey (archbishop of York)
Gorboduc (play)
Habsburg Spain
Henry II of England
Henry VIII of England
Holy Roman Emperor
Huguenot
Ibid (short story)
Invasion of England (1326)
La Conquista (opera)
Leonard Digges (writer)
Literary theory
Lope de Vega
Louis of Nassau
Love's Cure
Maastricht
Master of the Revels
Morality play
Neptune's Triumph for the Return of Albion
Norman conquest of England
Pacification of Ghent
Pedro Calderon de la Barca
Philip IV of Spain
Playwright
Poetry
Protestant Union
Puritans
Richard II of England
Shakespeare's plays
Shakespeare's reputation
Siege of Breda (1637)
Siege of Mons (1572)
Spaniards
Spanish Armada
Spanish Army
Spanish Golden Age
Spanish Match
Spanish Netherlands
Spanish Road
The Renegado
The Truce
The Tudors
Thirty Years' War
Thomas Wolsey
Tirso de Molina
War of the Mantuan Succession
William III of England
William Shakespeare

Product details

  • ISBN 9780691609744
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Feb 2019
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Spain alone produced a Renaissance drama comparable to that of England, yet the two nations were enemies, separated by the worldwide conflict of Catholics and Protestants. Major dramatists on both sides addressed the divisive issues: Lope de Vega, Tirso de Molina, and Calderon de la Barca in Spain; Shakespeare, Marlowe, Chapman, Massinger, and Middleton in England. In this comprehensive work, a distinguished authority on drama examines history plays, masques, and spectacles, with close attention to the changing development of the two national dramas, he directs us to the study of their suprrising similarities.
The author's lucid exposition makes possible an assessment of the commentary on historical events provided by the dramatists. In the early years of the Thirty Years' War, he points out, dramtaists unknowingly carried on a dialogue now audible to us: Massinger and Middleton warn of Spain's intentions; Lope, Tirso, and Calderon provide assurance that their English coutnerparts were not alarmists. Goruping works chronologically by subject or thematic relevance to phases of Anglo-Spanish relations in broad European context, Professor Loftis examines Lope's plays about the campaigns fought by the Spanish Army of Flanders and Marlowe's and Chapman's plays about French history from 1572 to 1602.
John Loftis is Margery Bailey Professor of English Emeritus at Stanford University. He is author of numerous works, including The Spanish Plays of Neoclassical England (Yale) and Sheridan and the Drama of Georgian England (Blackwell/Harvard).

Originally published in 1987.

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