Renaissance Ecopolitics from Shakespeare to Bacon

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A01=Elizabeth Gruber
Animal Kingdom
Arden
Author_Elizabeth Gruber
Bacon's Text
Bacon’s Text
Bruno Latour
Cantor's Explorations
Cantor’s Explorations
Category=DSBC
Category=DSBD
Category=DSG
Descartes
early modern ecocriticism
ecological alienation
ecological crisis origins research
Ecological Imaginary
ecostudies
Enlightenment
environmental humanities
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ford
Giorgio Agamben's Homo Sacer
Giorgio Agamben’s Homo Sacer
Glassy Essence
human-nature relationship history
Hysterica Passio
John Donne
King Lear
Kyd
Kyd's Play
Kyd’s Play
literary theory renaissance
Macbeth
Macbeth's Castle
Macbeth’s Castle
Natural Environs
Natural World
Nature
nature and society
New Atlantis
Palpable Site
Philosophy
Pulmonary Functioning
Raw Materiality
Revenge Cycle
Revenge Tragedy
Richard III
Salomon's House
Salomon’s House
Shakespeare's Richard III
Shakespeare's Titus Andronicus
Shakespeare’s Titus Andronicus
Society
Spanish Tragedy
The Spanish Tragedy
Tis Pity
Tis Pity She's a Whore
Titus Andronicus
Tom MacFaul
Weird Sisters
Young Man

Product details

  • ISBN 9780415418867
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The work of Shakespeare and his contemporaries has often been the testing-ground for innovations in literary studies, but this has not been true of ecocriticism. This is partly because, until recently, most ecologically minded writers have located the origins of ecological crisis in the Enlightenment, with the legacies of the Cartesian cogito singled out as a particular cause of our current woes. Traditionally, Renaissance writers were tacitly (or, occasionally, overtly) presumed to be oblivious of environmental degradation and unaware that the episteme—the conceptual edifice of their historical moment—was beginning to crack. This perception is beginning to change, and Dr. Guber's work is poised to illuminate the burgeoning number of ecocritical studies devoted to this period, in particular, by showing how the classical concept of the cosmopolis, which posited the harmonious integration of the Order of Nature (cosmos) with the Order of Society (polis), was at once revived and also systematically dismantled in the Renaissance. Renaissance Ecopolitics from Shakespeare to Bacon: Rethinking Cosmopolis demonstrates that the Renaissance is the hinge, the crucial turning point in the human-nature relationship and examines the persisting ecological consequences of the nature-state’s demise.

Elizabeth Gruber is an Associate Professor in the English Department at Lock Haven University

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