Renaissance Papers 2019

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2019
A32=Deneen M. Senasi
A32=Faith Acker
A32=Kara McCabe
A32=Kristen N. Gragg
A32=Professor Robert Lanier Reid
A32=Rachel M. De Smith Roberts
A32=Sonia Desai
A32=William A. Coulter
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=James M Pearce
B12=Professor William Given
Ben Jonson
Category1=Non-Fiction
Category=DSBB
Category=DSG
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Literature
Margaret Cavendish
Margaret Tyler
PA=Available
Papers
Power of Naming
Price_€50 to €100
PS=Active
Renaissance
Shakespeare
softlaunch
Spenser

Product details

  • ISBN 9781640140837
  • Weight: 272g
  • Dimensions: 140 x 216mm
  • Publication Date: 20 Nov 2020
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Sixty-sixth annual volume, taking in a range of topics relating to the literature of the period, from the power of naming to Shakespeare and Spenser, Herbert, Margaret Tyler and Margaret Cavendish, and Ben Jonson. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2019 volume, the sixty-sixth annual, features essays from the conference held at North Carolina StateUniversity, as well as essays submitted directly to the journal. The volume opens with an essay on the power of naming in creating early modern subjectivities, followed by a pair of provocative discussions of Shakespeare's plays:the first addresses temporal gaps in A Winter's Tale; the second is a reading of misogyny in The Taming of the Shrew in which Petruchio is no longer seen as "the true tamer." The two essays at the epicenter of thisyear's volume focus on religious topics, with a consideration of the mystical, specifically the notion of ascesis, in the work of Shakespeare and Spenser, followed by a more sublunary presentation of religious themes in George Herbert's estate poems. The next essay proposes a novel source for Margaret Tyler's reference to "the Jews" in her "Mirror of Princely Deeds and Knighthood" and is followed by a reconsideration of the variety of epitaphic subgenres available in the seventeenth century. The penultimate essay addresses Margaret Cavendish, Ben Jonson, and humanist dramaturgy, and the essay that concludes the journal examines Jonson's attempts to construct a hierarchy of literaryvalue within the complex constraints of the early modern marketplace.
JAMES PEARCE is Director of Graduate Studies in English at North Carolina Central University. WILLIAM GIVEN is a professor at the University of California at San Diego. WARD J. RISVOLD teaches writing in the J. Whitney Bunting College of Business at Georgia College and State University.