Reportage in the Chinese-Speaking World

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affective reverberations
art of the real
Category=DS
Category=JBCT4
Category=KNTP2
Category=NHF
Chinese and Sinophone reportage
Chinese diasporic cultures
documentary film
epistemic encounters
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_history
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eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
ethical response-ability
ethico-aesthetic paradigm
ethics
lived and historical actualities
non-fiction art
observational documentaries
photographic reportage
plurimedial reportage
race in reportage
realism
subjectivity
subversive discourse in reportage
Taiwanese reportage
women's reportage

Product details

  • ISBN 9780472057870
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Feb 2026
  • Publisher: The University of Michigan Press
  • Publication City/Country: US
  • Product Form: Paperback
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Reportage in the Chinese-Speaking World examines reportage as an important aesthetic form of cultural production in the Sinophone world. Originating as a proletarian nonfiction form in interwar Europe, reportage spread around the world, coming into its own in the Sinophone world from the 1930s to today. Going beyond fact-based journalism, reportage is pursued through a variety of artistic forms and media, from nonfiction writing to photography to documentary film. Reportage’s plurimedial representations facilitate and amplify intersectional struggles against multiple forms of social and political oppression. Engaging its audiences in affective ethico-political exchanges with (human or nonhuman) subjects, reportage promotes audiences’ empathetic responses to the democratic appeals of marginalized groups whose status, identity, or situation manifest emergent ethical challenges in the society of their time.

This work offers new understandings of reportage’s dialectical relationship with its readership by evoking sympathetic identifications with personal contemplations of place, hearth, and senses of belonging. Covering a breadth of media across mainland China, Taiwan, and the Sinophone diaspora in the United States and Japan, this book examines how intermediality cultivates distinctive expressions in reportage, cross-cultural empathy, and ethico-political relationships between the reporter, photographer, filmmaker, and their surroundings.

Charles A. Laughlin is Ellen Bayard Weedon Professor of East Asian Studies at the University of Virginia.
Li Guo is Professor of Chinese and Asian Studies at Utah State University.