Representation and Memory in Graphic Novels

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A01=Golnar Nabizadeh
Age Group_Uncategorized
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Alison Bechdel
American Born Chinese
Angel Island Immigration Station
Animated Documentary
Ari Folman
Australia's Asylum Seeker Policies
Australia’s Asylum Seeker Policies
Author_Golnar Nabizadeh
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Category1=Non-Fiction
Category=ABA
Category=AC
Category=AGA
Category=DSBH
Category=H
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Category=JFCA
Category=JHB
Category=NH
comics journalism research
Contact Sheet
COP=United Kingdom
cultural trauma studies
Da Game
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Dutch Angles
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics of testimony
Genbaku Dome
graphic
Graphic Medicine
graphic medicine scholarship
graphic novels
Guard's Story
Guard’s Story
Language_English
memory
memory and migration
Monkey King
MSF Team
novels
PA=Temporarily unavailable
Pat Grant
Price_€20 to €50
PS=Active
representation
Shaun Tan
softlaunch
Stone Bridge Press
trauma representation in comics
Vice Versa
visual narrative analysis
White Space
Yoshihiro Tatsumi
Young Man

Product details

  • ISBN 9780367670795
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book analyses the relationship between comics and cultural memory. By focussing on a range of landmark comics from the twentieth and twenty-first centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes and individuals living with particular health conditions. The discussion is influenced by literary and cultural debates on the intersections between ethics, testimony, trauma, and human rights, reflected in its three overarching questions: ‘How do comics usually complicate the production of cultural memory in local contents and global mediascapes?’, ‘How do comics engage with, and generate, new forms of testimonial address?’, and ‘How do the comics function as mnemonic structures?’

The author highlights that the power of comics is that they allow both creators and readers to visualise the fracturing power of violence and oppression – at the level of the individual, domestic, communal, national and international – in powerful and creative ways. Comics do not stand outside of literature, cinema, or any of the other arts, but rather enliven the reciprocal relationship between the verbal and the visual language that informs all of these media. As such, the discussion demonstrates how fields such as graphic medicine, graphic justice, and comics journalism contribute to existing theoretical and analytics debates, including critical visual theory, trauma and memory studies, by offering a broad ranging, yet cohesive, analysis of cultural memory and its representation in print and digital comics.

Golnar Nabizadeh is Lecturer in Comics Studies at the University of Dundee where she teaches on the MLitt in Comics and Graphic Novels, as well as undergraduate modules in English and Humanities. Her research interests are in graphic justice, critical theory, trauma and memory studies. She has published on the work of Alison Bechdel, Marjane Satrapi, and Shaun Tan, visual adaptation, picturebooks, and comics and literary justice.

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