Representations of Flemish Immigrants on the Early Modern Stage

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A01=Peter Matthew McCluskey
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alien communities history
Amboyna Massacre
Anti-alien Riots
anti-immigrant sentiment in drama
Arminian Doctrine
Author_Peter Matthew McCluskey
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Category1=Non-Fiction
Category=AN
Category=ATD
censorship
censorship in theatre
Continual Equation
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De Bard
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Dutch Church
Dutch Church Libel
Dutch Courtesan
Dutch Merchant
Early Modern Drama
early modern England
Early Stuart Drama
Edward III
Elizabeth
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Flemish immigrants
Flemish immigration
Foreign Suitors
Gentle Craft
Immigrant Weavers
Jack Straw
Language_English
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Price_€100 and above
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Seventeenth Century Drama
Shoemaker's Holiday
Shoemaker’s Holiday
Sir John Van Olden Barnavelt
Sir Thomas More
sixteenth century migration
Smadja Eric
softlaunch
Stage Dutch
Stranger Churches
Stuart Drama
Tudor
Tudor drama analysis
Webster's Westward Ho
Webster’s Westward Ho
xenophobia
xenophobia studies
Young Men

Product details

  • ISBN 9781138714328
  • Weight: 392g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Oct 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Immigrants from the Low Countries constituted the largest population of resident aliens in early modern England. Possessing superior technology in a number of fields and enjoying governmental protection, the Flemish were charged by many native artisans with unfair economic competition. With xenophobic sentiments running so high that riots and disorders occurred throughout the sixteenth century, Elizabeth I directed her dramatic censor to suppress material that might incite further disorder, forcing playwrights to develop strategies to address the alien problem indirectly. Representations of Flemish Immigrants on the Early Modern Stage describes the immigrant community during this period and explores the consistently negative representations of Flemish immigrants in Tudor interludes, the impact of censorship, the playwrighting strategies that eluded it, and the continuation of these methods until the closing of the theatres in 1642.

Peter Matthew McCluskey is an associate professor of English at Middle Tennessee State University, where he teaches courses in Shakespeare, Shakespeare on Film, British popular culture, and crime fiction.

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