Representing Duchess Anna Amalia's Bildung

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A01=Christina K. Lindeman
age of Goethe
Auch Eine Philosophie Der Geschichte
Author_Christina K. Lindeman
Campi Phlegraei
Carl August
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Charles III
cultural history
Der Geschichte Zur Bildung
Der Geschichte Zur Bildung Der
eighteenth century
eighteenth-century art history
Eine Philosophie Der Geschichte Zur
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eq_history
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Europe
female leadership in intellectual circles
Femme Savante
Flute
gender and portraiture studies
gender studies
German cultural politics
Germany
Geschichte Zur Bildung Der Menschheit
Ideen Zur Philosophie Der Geschichte
intellectual history
Johann Wolfgang von Goethe
Madame De Pompadour
Marie Leszczinska
Marquise De Pompadour
nineteenth century
noblewomen patronage networks
Oak Wreath
patron of the arts
patronage
Philosophie Der Geschichte
Philosophie Der Geschichte Zur
Philosophie Der Geschichte Zur Bildung
portraits
portraiture
Stiftung Weimarer Klassik Und Kunstsammlungen
Transverse Flute
visual identity construction
women in Enlightenment Europe
women's studies
Young Men

Product details

  • ISBN 9781032476858
  • Weight: 280g
  • Dimensions: 174 x 246mm
  • Publication Date: 23 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.

Christina K. Lindeman is Assistant Professor of Art History at the University of South Alabama. A scholar of eighteenth-century art and material culture, she has contributed essays to edited volumes and Source.

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