Representing Masculinity in Early Modern English Satire, 1590–1603

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A01=Per Sivefors
Author_Per Sivefors
Bird's Eye
Bird’s Eye
Category=DSB
Category=N
Certaine Satyrs
Cicero's De Amicitia
Cicero’s De Amicitia
conflicting masculinities in satire
Donne's Poem
Donne's Satires
Donne's Speaker
Donne’s Poem
Donne’s Satires
Donne’s Speaker
early modern literary criticism
Early Modern Manhood
Early Modern Masculinity
Elizabethan gender studies
Elizabethan Satire
Elizabethan Satirists
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Erotic Epyllion
Greenes Groats Worth
Hall's Poems
Hall's Satires
Hall’s Poems
Hall’s Satires
John Weever
Joshua Scodel
Manly Self-control
Marston's Satires
Marston’s Satires
Mother Hubberds Tale
patriarchal norms discourse
Pigmalions Image
Satirical Aggression
self-control in literature
Sententious Wisdom
Sexual Aggressor
Verse Satire
verse satire analysis
violence and gender roles
Young Men

Product details

  • ISBN 9781032174501
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Engaging with Elizabethan understandings of masculinity, this book examines representations of manhood during the short-lived vogue for verse satire in the 1590s, by poets like John Donne, John Marston, Everard Guilpin and Joseph Hall. While criticism has often used categorical adjectives like "angry" and "Juvenalian" to describe these satires, this book argues that they engage with early modern ideas of manhood in a conflicted and contradictory way that is frequently at odds with patriarchal norms even when they seem to defend them. The book examines the satires from a series of contexts of masculinity such as husbandry and early modern understandings of age, self-control and violence, and suggests that the images of manhood represented in the satires often exist in tension with early modern standards of manhood. Beyond the specific case studies, while satire has often been assumed to be a "male" genre or mode, this is the first study to engage more in depth with the question of how satire is invested with ideas and practices of masculinity.

Per Sivefors is Associate Professor of English Literature at Linnaeus University, Sweden.

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