Representing Shakespeare

Regular price €56.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Robert Shaughnessy
Adrian Noble
aldwych
Aldwych Theatre
Author_Robert Shaughnessy
Benedict Nightingale
British theatre studies
Category=ATD
Category=DDA
Category=DSBD
Category=DSG
contemporary Shakespeare production analysis
cultural identity politics
dramatic criticism methods
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Eric Shorter
gender in historical plays
hands
history
IRA Terrorism
KING HENRY
KING JOHN
LORD CHAMBERLAIN
Mont Joy
performance historiography
Peter Holland
Post-war British Theatre
postwar political drama
Production's Reviewers
Resolute Approach
Richard III
roses
royal
Royal Shakespeare Theatre
RSC Produce
rsc's
RSC's Activity
Shakespeare Memorial Theatre
shakespearean
Stratford Theatre
terry
Terry Hands
Terry Hands's Productions
theatre
Troublesome Reign
Usual Magic
Vice Versa
Wall Hangings
work

Product details

  • ISBN 9780745015606
  • Weight: 362g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Aug 1994
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This text traces the changing theatrical and cultural identity of the History plays in the context of postwar social and political conflict, crisis and change. Since the company's inception in the early 1960s, the RSC's commitment to relevance has fostered close relationships between Shakespearean criticism and performance, and between the theatre and its audiences. Through a detailed discussion of key productions, from "The War of the Roses" in 1963 to "The Plantegenets" in 1988, Robert Shaughnessy emphasizes the political dimension of contemporary theatrical representations of Shakespeare, and of the "Shakespearean" modes of history that these plays have been employed to promote; individualist, cyclical, male-dominated, and driven by essentialised, transcendent human nature.

Robert Shaughnessy is Professor of Theatre at the University of Kent, UK.

More from this author