Representing Social Precarity in German Literature and Film

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capitalism
Category=DSM
Category=JBSA
Category=JHBL
comp lit
debt
eq_bestseller
eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_society-politics
literature and economics
literature and labor
literature and law
literature and politics
modernism
neoliberalism
precaritization
representation studies
underemployment
unemployment
Weimar Germany

Product details

  • ISBN 9781501391514
  • Weight: 440g
  • Dimensions: 138 x 212mm
  • Publication Date: 26 Jun 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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Using Germany as a national case study, this volume examines the historical genesis of precarity, its evolution from 19th-century industrial modernity to the present, and its reflections and reconfigurations in artistic production, in particular with relation to work, gender, and sexuality.

“Precarity is everywhere now,” sociologist Pierre Bourdieu declared almost thirty years ago. Not only declining middle-class standards of living, but also debt, drug addiction, housing and food insecurity, depression, and “deaths of despair” are now being recognized as symptoms of the downward pull of social precarity. Although these and similar ills have been attributed to neoliberal policies of deregulation, privatization, and willful neglect of the common good, precarization has accompanied the booms and busts of industrial modernity from its beginnings.

Representing Social Precarity in German Literature and Film explores how German and Austrian literature, film, and social history have engaged with social precarity, from the period of Romanticism and early industrialization to the present. The chapters in this volume deal with precarity as both an objective phenomenon reflected in literary and filmic representations and as a subjective phenomenon that gives these representations their particular shape. Representing Social Precarity in German Literature and Film opens new critical perspectives on diverse forms of lived precarity and their creative manifestations by reflecting on the history of capitalist modernity from the vantage points of weakness, vulnerability, marginality, impoverishment, and otherness.

Sophie Duvernoy holds a PhD in German from Yale University, USA, and is a translator in Berlin, Germany.

Karsten Olson is Lecturer of German Studies at the University of North Carolina Asheville, USA.

Ulrich Plass is Professor of Letters and German Studies at Wesleyan University, USA.