Representing the Black Female Subject in Western Art

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A01=Charmaine A. Nelson
Art Historical Discourse
art history
Author_Charmaine A. Nelson
Black Diaspora Studies
Black Female
Black Female Body
Black Female Slave
Black Female Subject
Black Venus
Black Woman
black women in Canadian art
body
canadian
Canadian Art History
Canadian Women's Army Corps
Canadian Women’s Army Corps
Category=AB
Category=AGA
Category=JBCC1
Category=JBSL
Category=JHB
Category=NHTQ
colonial discourse analysis
De Beaucourt
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
femaleness
Fi Gure Painting
figure
Fl Esh
gender and sexuality studies
Jardin Du Luxembourg
neoclassical sculpture
Nineteenth Century Neoclassical
nude
painting
racial representation
slave
slaves
Sugar Apple
Trans Atlantic
Trans Atlantic Slavery
visual culture studies
white
White Artist
White Female
White Female Body
White Female Nude
White Female Sexuality
White Female Subject
women

Product details

  • ISBN 9781138864610
  • Weight: 362g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Apr 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book offers the first concentrated examination of the representation of the black female subject in Western art through the lenses of race/color and sex/gender. Charmaine A. Nelson poses critical questions about the contexts of production, the problems of representation, the pathways of circulation and the consequences of consumption. She analyzes not only how, where, why and by whom black female subjects have been represented, but also what the social and cultural impacts of the colonial legacy of racialized western representation have been. Nelson also explores and problematizes the issue of the historically privileged white artistic access to black female bodies and the limits of representation for these subjects. This book not only reshapes our understanding of the black female representation in Western Art, but also furthers our knowledge about race and how and why it is (re)defined and (re)mobilized at specific times and places throughout history.

Charmaine A. Nelson is Associate Professor of Art History at McGill University.

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