Reputations of Thomas Moore

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Allgemeine Musikalische Zeitung
Author's Personal Collection
Author’s Personal Collection
Canadian Boat Song
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Category=DSBF
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cultural transmission studies
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global dissemination of Irish literature
Hero's Journey
Hero’s Journey
identity formation in literature
Irish Melodies
James Power
Lalla Rookh
Las Islas
Modern Irish Poetry
Moore's diverse reputations
Moore's influence
Moore's Irish Melodies
Moore's Lalla Rookh
Moore's Lyrics
Moore's Melodies
Moore's Poem
Moore's Poetry
Moore's Reputation
Moore's Works
Moore’s Irish Melodies
Moore’s Lalla Rookh
Moore’s Lyrics
Moore’s Melodies
Moore’s Poem
Moore’s Poetry
Moore’s Reputation
Moore’s Works
music and literature intersections
nineteenth-century literary networks
Queen's University Belfast
Queen’s University Belfast
romantic era reception
Stilly Night
Thomas Moore
Thomas Moore's Lalla Rookh
Thomas Moore’s Lalla Rookh
Transatlantic Book Trade
transnational poetry influence
Victorian era
Wolfgang Amadeus Mozart
Young Ireland Movement
Young Men

Product details

  • ISBN 9780367353391
  • Weight: 498g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Aug 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This collection of eleven essays positions Moore within a developing and expanding international readership during the course of the nineteenth century. In accounting for the successes he achieved and the challenges he faced, recurring themes include: Moore’s influence and reputation; modes of dissemination through networks and among communities; also, the articulation of personal, political, and national identities. This book, the product of an international team of scholars, is the first to focus explicitly on the reputations of Thomas Moore in different parts of the world, including Bombay, Dublin, Leipzig, and London, as well as America, Canada, Greece, and the Hispanic world. Through it, we will understand more about Moore’s reception, and also appreciate how the publication and dissemination of poetry and song in the romantic and Victorian eras operated in different parts of the world—in particular considering how artistic and political networks effected the transmission of cultural products.

Sarah McCleave is Senior Lecturer in the School of Arts, English and Languages at Queen’s University Belfast; she was Director of the Centre for Eighteenth-Century Studies (2015-2017).

Tríona O’Hanlon is a violinist and musicologist; she was Marie Skłodowska-Curie Research Fellow in Music at the School of Arts, English and Languages at Queen’s University Belfast (2015-2017).