Rereading Chenjerai Hove

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A01=Muchativugwa Liberty Hove
African Literature
Ancestors
Author_Muchativugwa Liberty Hove
Bones
Category=DC
Category=DSBH5
Category=DSK
Category=GTM
Category=JBCC
Category=JBSL
Category=JHB
Category=NHTQ
ChiShona
ChiShona language literature
decolonisation narratives
Diaspora
diaspora literary criticism
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
Exile
indigenous identity formation
literary exile analysis
Masimba evanhu
Nduri Dzerudo
Palaver Finish
postcolonial African studies
Postcolonial Literature
Rainbows in the Dust
Shadows
Shebeen Tales and Other Short Stories
Up in Arms
Zimbabwean political memory discourse

Product details

  • ISBN 9781041239918
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Apr 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book assesses the life and works of the leading Zimbabwean poet and novelist, Chenjerai Hove. Proposing a reading of Hove’s work through the dual concepts of rupture and suture, this book investigates Hove’s position as a writer at home and in exile.

Described affectionately as ‘Change’ by his contemporaries, Hove’s longing and desire for a free Zimbabwe runs through his works both in his first language, ChiShona, and in his second language, English. Whilst nationalist struggles promised a sense of suture from the wounds of colonialism, in the postcolonial period a new political elite introduced new ruptures, looting resources and flouting the rule of law. Hove’s narratives of decolonisation, globalisation and indigenous becoming in his works point to these unfinished historical processes of rupture and suture, bringing in contrasting themes of beauty and ugliness, democracy and despotism, development and anarchy, independence and corruption. In deploying a framework of rupture and suture to Hove’s work, this book disrupts fundamentalist frameworks suggesting a return to a pristine precolonial past and argues instead that the process of decolonising is relational and reflexive. Providing an important original analysis of Hove’s work, this book also brings in comparisons with other writers in exile, arguing that displaced citizenship allows African writers to trouble the disjuncture/s in the nationalist and postcolonial project.

As such, this book will be an important read not only for researchers of Zimbabwean literature but also for scholars working on African and diasporic literature more widely.

Muchativugwa Liberty Hove is currently the Director in the Research Incubation Hub and formerly Deputy Director in the School for Literature and Language Education and a full Professor in English Language and Literature in English at North-West University, South Africa. He was formerly a postdoctoral research fellow, University of Limpopo, South Africa.

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