Researching Art Markets

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Acquisition Committee
African Contemporary Art
Art Basel
art investment analysis
Art Market
Artist Brand
artist career development
Auction House
Brazilian Contemporary Art
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China's Creative Industry
China’s Creative Industry
Civil Registration Number
collecting practices history
Contemporary Art Market
creative industries research
cultural economics
Densest
Ecosystem
Eighteenth-century antiquarianism
Entrepreneurialism
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
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Ernest Mancoba
Final Bid Prices
Global art markets
Human Brand
interdisciplinary art market studies
ISCO Code
King George III
Large Scale Retrospective
market participant networks
MoMA PS1
Penrhyn Castle
Post-socialist China
Researching Art Markets
Reserve Price
Royal Academy
Secondary Art Market
Strawberry Hill
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Product details

  • ISBN 9780367893392
  • Weight: 660g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 May 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Researching Art Markets brings together a scholars from several, various disciplinary perspectives. In doing so, this collection offers a unique multi-disciplinary contribution that disentangles some of the key aspects and trends in art market practices from the past to nowadays, namely art collectors, the artist as an entrepreneur and career paths, and the formation and development of new markets.

In understanding the global art market as an ecosystem, the book also examines how research and perceptions have evolved over time. Within the frameworks of contemporary social, economic and political contexts, issues such as business practices, the roles of market participants and the importance of networks are analysed by scholars of different disciplines. With insights from across the humanities and social sciences, the book explores how different methods can coexist to create an interdisciplinary international community of knowledge and research on art markets. Moreover, by providing historical as well as contemporary examples, this book explores the continuum and diversity of the art market.

Overall, this book provides a valuable tool for understanding art markets within their wider context. The volume is of interest to scholars researching into the cultural and creative industries from a wider perspective.

Elisabetta Lazzaro is Professor of Creative and Cultural Industries Management at the Business School for the Creative Industries, University for the Creative Arts, UK, and Executive Board Member of the Association for Cultural Economics International (ACEI).

Nathalie Moureau is Professor of Economics at University Paul Valéry Montpellier 3, France, where she is also Researcher at RiRRA21.

Adriana Turpin teaches the history of collecting and art market studies at IESA, Paris. She is Chairman of the Society for the History of Collecting.