Researching Historical Screen Audiences

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archival research
audience studies
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B01=Jamie Terrill
B01=Kate Egan
B01=Martin Smith
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=BM
Category=DNC
Category=JBCC1
Category=JFCA
cinema-going
COP=United Kingdom
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eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_society-politics
Film and media history
Language_English
memory studies
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Price_€20 to €50
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research methods and methodologies
softlaunch

Product details

  • ISBN 9781474477826
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Nov 2023
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Considers the challenges of historical audience research in the field of screen studies Outlines and expands on the wide range of sources which can be employed to research and capture the experiences and contexts of past screen audiences, and the ways in which these sources can be productively combined Explores and assesses the current status and shape of the field of historical audience research, including consideration of a range of perspectives on the field's methodological models and challenges, and practical applications of these models to focused case studies Foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of television and home video Illustrates the important role played by films, people, spaces, places, technologies, identities and communities when studying the history of cinemagoing and media reception Showcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video.
Dr Kate Egan is Senior Lecturer in Film and Media at Northumbria University Martin Smith is an independent researcher Jamie Terrill is a Research Associate on the AHRC funded Cinema Memory and the Digital Archive: 1930s Britain and Beyond project