Astonishment

Taking its title from Derek Walcott's line, 'The perpetual ideal is astonishment', Anne Stevenson's 16th collection of poems looks back over eighty years of the earth's never-ceasing turbulence, setting clearly remembered scenes from her personal past against a background of geographical and historical change. As always, her chief preoccupation is with the extraordinary nature of experience itself, and this she explores as a geologist might explore the rock layers beneath an urban surface relied upon by the senses, yet in the perspective of deep time acknowledged to be temporary and passing. As a poet who has always been anxious to balance imagination with insight and for whom the sound and shape of every poem is integral to its meaning, Stevenson views contemporary scientific and technological advance with a sceptic's compassion for its ecological and human cost. While in some poems she acknowledges her debt to writers such as Henry David Thoreau and Henry James, she carefully points out ways in which they anticipated the collapse of the world they valued. In others she demonstrates that a belief in scientific method and Darwinian evolution is in every way compatible with a sense of the sacred in the living world. Always what is most astonishing to her is that life exists at all, that the normal is also and amazingly the phenomenal. And although notes of poignant sadness, together with some witty assaults on human folly are sounded throughout this collection, its predominant tone is one of celebration.

Anne Stevenson (1933-2020) was born in Cambridge, England, of American parents, and grew up in New England and Michigan. She studied music, European literature and history at the University of Michigan, returning later to read English and publishing the first critical study of Elizabeth Bishop. After several transatlantic switches, she settled in Britain in 1964, living in Cambridge, Scotland, Oxford, the Welsh Borders, and latterly in North Wales and Durham. She held many literary fellowships, and was the inaugural winner of Britain’s biggest literary prize, the Northern Rock Foundation Writer’s Award, in 2002. In 2007 she was awarded three major prizes in the USA: the $200,000 Lannan Lifetime Achievement Award for Poetry by the Lannan Foundation of Santa Fe, a Neglected Masters Award from the Poetry Foundation of Chicago and The Aiken Taylor Award in Modern American Poetry from The Sewanee Review in Tennessee. In 2008, The Library of America published Anne Stevenson: Selected Poems, edited by Andrew Motion, in conjunction with the Neglected Masters Award. This series is exclusively devoted to the greatest figures in American literature. Following two collections in the US in 1965 and 1969, she published her renowned family history sequence Correspondences, along with Travelling Behind Glass: Selected Poems 1963-1973, with Oxford University Press in 1974. After seven more books with OUP, she moved her publishing to Bloodaxe when OUP shut down its poetry list in 1999. In 2000 Bloodaxe reissued her OUP Collected Poems 1955-1995 at the same time as a new collection, Granny Scarecrow. These were followed by A Report from the Border (2003) and a new expanded retrospective, Poems 1955-2005 (2005), and then by three later collections, Stone Milk (2007), Astonishment (2012) and Completing the Circle (2020). As well as her numerous collections of poetry, Anne Stevenson published a biography of Sylvia Plath (1989), a book of essays, Between the Iceberg and the Ship (1998), and two critical studies of Elizabeth Bishop’s work, most recently Five Looks at Elizabeth Bishop (Bloodaxe Books, 2006). In 2016 she gave the Newcastle/Bloodaxe Poetry Lectures, published by Bloodaxe in 2017 as About Poems and how poems are not about.