Resilient Voices

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A01=Ramona Holmes
Augsburg Song Festival
Author_Ramona Holmes
Category=AVL
Category=AVLA
Category=JBFH
Category=JP
Choir Directors
Choral Composition
choral singing in displaced persons camps
cultural resilience music
DP Camp
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eq_bestseller
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Estonian Archives
Estonian Composers
Estonian Culture
Estonian Diaspora
Estonian Evangelical Lutheran Church
Estonian Folk
Estonian Immigrants
Estonian Refugees
Estonian singing culture
Estonian Song
Estonian Song Festivals
ethnomusicology research
forced migration studies
Head Conductors
historical musicology
Men's Choir
Men’s Choir
Mixed Choir
National identity
Petersburg Conservatory
Post WWII
postwar European history
Reins Holding
Resilient voices
Roten Tor
Song Festival
trauma and music
Veljo Tormis
Virtual Choir
West Germany
Women's Choir
Women’s Choir

Product details

  • ISBN 9781032016108
  • Weight: 240g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The aftermath of World War II sent thousands of Estonian refugees into Europe. The years of Estonian independence (1917-1940) had given them a taste of freedom and so relocation to displaced person (DP) camps in post-war Germany was extremely painful. One way in which Estonians dealt with the chaos and trauma of WWII and its aftermath was through choral singing. Just as song festivals helped establish national identity in 1869, song festivals promoted cultural cohesiveness for Estonians in WWII displaced person camps. A key turning point in hope for the Estonian DPs was the 1947 Augsburg Song Festival, which is the center point of this book. As Estonian DPs dispersed to Australia, Canada, Europe, and the United States these choirs and song festivals gave Estonians the resilience to retain their identity and to thrive in their new homes. This history of Estonian WWII DP camp choirs and song festivals is gathered from the stories of many courageous individuals and filled with the tenacious spirit of the Estonian singing culture. This work contributes to an understanding of immigration, identity, and resilience and is particularly important within the field of music regarding music and healing, music and identity, historical musicology, ethnomusicology, and music and politics.

Ramona Holmes is Professor Emerita at Seattle Pacific University where she taught ethnomusicology and music education for twenty-five years. She plays violin, sings, and dances as part of the Seattle and Portland Estonian communities.

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