Resistance, Dissidence, Revolution

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A01=Viola Shafik
Akram Zaatari
Arabic
Arabic Language
Arthouse Cinema
Author_Viola Shafik
authoritarianism visual culture
Carthage Film Festival
Category=ATFR
Category=JBCT
Clip
De Smet
Decolonization
Direct Cinema
Documentary Film Esthetics
Documentary Filmmaking
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
GDR
gender representation screen
Gurreilla Films
Home Town
IDHEC
Leaden Years
Local Newsreels
Long Shot
Mahalla
MEC
Middle Eastern film studies
Nass El Ghiwane
North African cinema analysis
political subjectivity in film
Revolutionary Cinema
revolutionary documentary film theory
Revolutionary Filmmaking
Tahrir Square
Tricontinental movement studies
UN
Van De Peer
Vice Versa
West Sahara
Young Men

Product details

  • ISBN 9781032151892
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Situated within an emerging academic interest in documentary film in the Middle East and North Africa, this book studies the development of diverse documentary forms in relation to revolutionary and emancipatory movements that took place across the twentieth century in the so-called Arab World.

Inspired by Deleuze and Guattari’s image of a “rhizome,” the author takes a de-territorialized approach to revolutionary filmmaking, embracing the diversity and fluidity of revolutionary works in the “Arab World.” As well as outlining the documentary film histories of the main film-producing nations of the region – Syria, Lebanon, Palestine, Egypt, Tunisia, Algeria and Morocco – the book analyzes the formal and esthetic features of individual works in relation to specific socio-political historical developments. Topics addressed include de-colonization, the wars of liberation, the Tricontinental movement, the Palestinian question, the Rif Uprising, the Leaden and Black Years, civil war in Lebanon, the recent Arab revolutions, state authoritarianism and totalitarianism, gender, collectivism and political subjectivity. Ultimately, the book contributes to a general theory of revolutionary documentary film forms by studying the works of consecutive periods from different ideological contexts.

The book is much-needed reading for students and academics interested in film and media studies and the history, culture and politics of the Middle East and North Africa (MENA) region.

Viola Shafik is a filmmaker, curator and film scholar. She is the author of several books on Arab cinema and has taught at the American University in Cairo, Egypt, Zürich University, Switzerland, Humboldt University, Berlin, Germany and Ludwig Maximilians University, Munich, Germany. She has also worked as a consultant for numerous international film festivals and film funds – such as La Biennale di Venezia and the World Cinema Fund – as well as directing documentaries including My Name Is Not Ali (2011) and Arij ‒ Scent of Revolution (2014).

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