Resistance to Science in Contemporary American Poetry

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A01=Bryan Walpert
AIDS
Albert Goldbarth
Author_Bryan Walpert
Barad's Argument
Barad’s Argument
Bossa Nova
Butterfl Y Fi Sh
C Ideas
Category=DC
Category=DS
Category=DSBH
Category=DSC
Category=PD
Category=PS
Celestial Singularity
Contemporary American Poetry
David Ignatow
Emily Grosholz
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
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Intervention
Joan Retallack
Language Writing
literary epistemology
Material Discursive Apparatuses
Material Discursive Practices
Newton's Fi Rst Law
Newton's First Law
Newton’s Fi Rst Law
Newton’s First Law
philosophy of science
Poethical Wager
poetic intervention
Poetic Knowledge
poetics of knowledge
Poetry
poetry and scientific discourse
Research
River Otter
romanticism in literature
Science
science studies
Scientific Language
Suspension Bridge
Term AIDS
Transfi Guration
Tricuspid Valve
Vice Versa

Product details

  • ISBN 9781138378025
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines types of resistance in contemporary poetry to the authority of scientific knowledge, tracing the source of these resistances to both their literary precedents and the scientific zeitgeists that helped to produce them. Walpert argues that contemporary poetry offers a palimpsest of resistance, using as case studies the poets Alison Hawthorne Deming, Pattiann Rogers, Albert Goldbarth, and Joan Retallack to trace the recapitulation of romantic arguments (inherited from Keats, Shelly, and Coleridge, which in turn were produced in part in response to Newtonian physics), modernist arguments (inherited from Eliot and Pound, arguments influenced in part by relativity and quantum theory), and postmodernist arguments (arguments informed by post-structuralist theory, e.g. Barthes, Derrida, Foucault, with affinities to arguments for the limitations of science in the philosophy, sociology, and rhetoric of science). Some of these poems reveal the discursive ideologies of scientific language—reveal, in other words, the performativity of scientific language. In doing so, these poems themselves can also be read as performative acts and, therefore, as forms of intervention rather than representation. Reading Retallack alongside science studies scholar Karen Barad, the book concludes by proposing that viewing knowledge as a form of intervention, rather than representation, offers a bridge between contemporary poetry and science.

Bryan Walpert, Ph.D., is a senior lecturer in the School of English & Media Studies at Massey University in Palmerston North, New Zealand. He is the author of two collections of poetry, Etymology and A History of Glass, as well as a collection of short stories, Ephraim’s Eyes.

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