Home
»
Resonant Bodies in Contemporary European Art Cinema
Resonant Bodies in Contemporary European Art Cinema
Regular price
€26.50
603 verified reviews
100% verified
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Close
A01=Emilija Talijan
Age Group_Uncategorized
Age Group_Uncategorized
Author_Emilija Talijan
automatic-update
Category1=Non-Fiction
Category=APFX
Category=ATFX
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European film
film and phenomenology
film noise
film sound
film-philosophy
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
spectatorship
Product details
- ISBN 9781474483469
- Dimensions: 156 x 234mm
- Publication Date: 15 Nov 2023
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Provides the first consideration of sound and the body in contemporary European art cinema
Offers detailed analysis of the underexplored dimension of sound in the work of some of the best-known contemporary European art film directors
Provides a stimulating contribution to theories of cinematic spectatorship showing how sound, noise and listening can rethink all aspects of the filmic experience
Explores the conceptualisation of cinema as a resonant body
Considers the sonic dimensions of cinema alongside prescient current debates in European film and criticism about the body, migration and exile, as well as anthropocentrism and anthropocentric modes of representation
What does it mean to exist, in our experience of cinema, according to listening? How do sound and 'noise' reconfigure relations between spectators and screens, and by extension, spectators and their worlds? How do films raise questions about the ethics and politics of listening to different bodies?
Resonant Bodies in Contemporary European Art Cinema answers these questions through an analysis of films by Catherine Breillat, Gaspar No , Tony Gatlif, Arnaud des Palli res, Lars von Trier and Peter Strickland. These post-millennial European directors have worked with sound in ways that resist the full-definition and perfect hearing offered by Dolby technology. Instead, they have privileged 'noise' - sounds that take us to the limit of what we can hear - in a move that foregrounds the body on screen and constructs spectators as listening bodies.
Dr Emilija Talijan is a Postdoctoral Research Fellow at St John’s College, Oxford
Resonant Bodies in Contemporary European Art Cinema
€26.50
