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A01=Amogelang Maledu
A01=Khanyisile Mbongwa
A01=Leila Anderson
A01=Mandla Mbothwe
A01=Mbongeni Mtshali
A01=Meghna Singh
A01=Nicole Sarmiento
A01=nora chipaumire
A01=Rike Sitas
A01=Sarah Nuttall
A01=Sinazo Chiya
A01=Thania Petersen
Author_Amogelang Maledu
Author_Khanyisile Mbongwa
Author_Leila Anderson
Author_Mandla Mbothwe
Author_Mbongeni Mtshali
Author_Meghna Singh
Author_Nicole Sarmiento
Author_nora chipaumire
Author_Rike Sitas
Author_Sarah Nuttall
Author_Sinazo Chiya
Author_Thania Petersen
Category=AFKP
Category=AGT
Category=Restless Infections
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Infecting the City festival
N/A
NA
public art
site-specific art

Product details

  • ISBN 9781776149452
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 May 2025
  • Publisher: Wits University Press
  • Publication City/Country: ZA
  • Product Form: Paperback
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Restless Infections is a collection of critical essays exploring artistic interventions in urban spaces, focusing on place-making and the politics of space in South Africa. The writers examine seminal artworks by South African artists, addressing diverse forms of expression such as site-specific performances, immersive installations, film, photography, and online performances.
The book is divided into three sections: The Restless City, Public Art for Multiple Publics, and Land, Home, Belonging. It introduces new perspectives on public sphere performance, such as Khanyisile Mbongwa's re-imagining of township alleyways for public encounters and Mbongeni Mtshali's study of everyday performances that challenge colonial and neo-colonial spatial organization.
The title, Restless Infections, is derived from the popular Infecting the City public art festival, symbolizing the persistent state of restlessness in a city still grappling with the legacies of colonialism, inequality, and racial segregation. This restlessness is tied to a desire for economic and political stability, expressed through transient art forms like Santu Mofokeng's billboard photography.
The book shifts the focus of public art discourse in South Africa from static forms like monuments and statues to dynamic, temporary interventions that question the concept of publicness. These interventions engage with protest, public intimacy, audience interaction, and the disrupted topography of apartheid cities.
As the first scholarly volume to read public spheres through a multi- and interdisciplinary lens, Restless Infections argues that the diverse artistic modes explored are essential to understanding the complexities of publicness in South Africa.

Jay Pather is a choreographer, curator and academic. He is Director of the Institute for Creative Arts at the University of Cape Town (UCT), and Associate Professor in UCT's Centre for Theatre, Dance and Performance Studies.

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