Restoration and Eighteenth-Century Poetry 1660-1780 (Routledge Revivals)

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A01=Eric Rothstein
Anne Killigrew
Author_Eric Rothstein
Book III
Category=DC
Category=DSB
Category=DSC
Comprehensive Satire
Cooper's Hill
coopers
Cooper’s Hill
Denham's Cooper's Hill
Earlier Eighteenth Century Poets
Eighteenth Century Poems
Eighteenth Century Poetry
Eighteenth Century Poets
Eighteenth Century Presses
eighteenth-century poetic modes study
elegy
English literary criticism
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
genre theory
gray's
Gray's Elegy
Gray’s Elegy
hill
historical poetics
Horace's Odes
Horace’s Odes
Horatian Imitations
Horatian Poems
ideal
Ideal Presence
Jubilate Agno
King William III
literary style evolution
Miltonic Blank Verse
panegyric and satire
poetic forms analysis
poets
positional
Positional Style
presence
readers
Restoration Poetry
style
Topographical Poem
Topographical Poetry
William III
Windsor Forest
Young Man

Product details

  • ISBN 9781138821194
  • Weight: 800g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Mar 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Restoration and Eighteenth-Century Poetry 1660-1780, originally published in 1981, considers poetry written between 1660 and 1780, a period which, although largely recovered from its nineteenth-century reputation, still attracts widely varying critical responses. Abandoning the old labels such as ‘neoclassicism’, ‘romanticism’ and ‘sensibility’, the author focuses on descriptions of genres and their formal elements and traces the broader patterns of literary and historical change running through the period.

Eric Rothstein describes different poetic modes- panegyric, satire, pastoral and topographical poetry, the epistle, and the ode- to suggest their aesthetical possibilities as well as their process of change. He also considers style and the uses of the past, topics which have often caused particular problems for the students of the period. What becomes clear is the extraordinary originality, flexibility and power with which Restoration and eighteenth-century poets handles the stylistic assumptions and the body of poems they inherited and employed in their own works.

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