Resurrecting Jane de La Vaudère

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A01=Sharon Larson
Age Group_Uncategorized
Age Group_Uncategorized
Author_Sharon Larson
automatic-update
Belle Epoque
Category1=Non-Fiction
Category=BGL
Category=DNBL
Category=DS
Colette
COP=United States
Decadence
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fin-de-siecle
French Feminism
French women writers
Jane de la Vaudere
Jeanne Scrive
Language_English
Les Androgynes
Les Courtisanes de Brahma
Les Sataniques
mummies
Nineteenth-Century
PA=Available
plagiarism
Price_€20 to €50
PS=Active
racecars
Reve d'Egypte
Rêve d’Egypte
softlaunch

Product details

  • ISBN 9780271094458
  • Weight: 295g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Aug 2024
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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This engrossing narrative recounts the story of Jane de La Vaudère (née Jeanne Scrive), a prolific and celebrated writer of France’s Belle Époque. Interweaving biography and literary analysis, Sharon Larson examines the ways in which La Vaudère adapted her persona to shifting literary trends and readership demands—and how she created and profited from controversy.

Relatively unknown today, La Vaudère published more than forty novels, poetry collections, and dramatic works as well as hundreds of shorter pieces. A controversial figure who was known as a plagiarist, La Vaudère attracted the attention of the public and of her peers, who caricatured her in literary periodicals and romans à clef. Most notably, La Vaudère claimed to have written the Rêve d’Egypte pantomime, whose 1907 production at the Moulin Rouge featured a kiss between Missy and Colette that led to riots and the suspension of future performances. Larson scrutinizes the ensemble of these various media constructions, privileging La Vaudère’s self-representation in interviews and advertisements, and brings to light her agency in creating an image that captivated public attention and boosted sales of her writings.

This volume probes the quandaries of scholarship seeking to responsibly recover lost female voices and makes a long-overdue contribution to nineteenth-century French literary studies.

Sharon Larson is Associate Professor of French at Christopher Newport University.

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