Retheorizing Shakespeare through Presentist Readings

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Abundant Intentionality
Ars Moriendi
audience reception studies
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Boy Actor
Brechtian aesthetics
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Cial Group
cultural critique theory
Early Modern
early modern drama
Edward III
Epic Theatre
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Eternal Laws
Greek Camp
History
Illocutionary Logic
Intentional Fallacy
Lear's Recognition
Lear’s Recognition
Literary
Middle Temple
nonillusionist performance
Oedipal Narrative
Performative Model
Presentist
presentist approaches to Shakespeare
Research
RSC Production
Shakespeare
Shakespeare's Cressida
Shakespeare’s Cressida
Simple Positive Oedipus Complex
Socialized Eroticism
subversion in theater
Sulphurous Pit
Theory
Tudor Audience
Twelfth Night
Unable Worms
Young Men

Product details

  • ISBN 9780415897037
  • Weight: 530g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Nov 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book offers a theoretical rationale for the emerging presentist movement in Shakespeare studies and goes on to show, in a series of close readings, that a presentist Shakespeare is not an anachronism. Relying on a Brechtian aesthetic of "naïve surrealism" as the performative model of the early modern, urban, public theater, James O’Rourke demonstrates how this Brechtian model is able to capture the full range of interplays that could take place between Shakespeare’s words, the nonillusionist performance devices of the early modern stage, and the live audiences that shared the physical space of the theatre with Shakespeare’s actors. O’Rourke argues that the limitations placed upon the critical energies of early modern drama by the influential new historicist paradigm of contained subversion is based on a poetics of the sublime, which misrepresents the performative aesthetic of the theater as a self-sufficient spectacle that compels reception in its own terms. Reimagining Shakespeare as our contemporary, O’Rourke shows how the immanent critical logic of Shakespeare’s works can enter into dialogue with our most sophisticated critiques of our cultural fictions.

James O’Rourke is a Professor in the Department of English, Florida State University, US. His previous books include Sex,Lies and Autobiography: The Ethics of Confession and Keats’s Odes and Contemporary Criticism.

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